Flash and Swerve, or: Time Can Be Rewritten?

Well that didn’t go quite like I thought it would.

The first season of Barry Allen’s The Flash just came to an interesting conclusion.  Most of the episode was talking, Barry weighing out whether going back in time to change things was the right thing to do.  It’s an interesting conundrum, for sure.  And he ultimately chose wisely, I think.  Then Eddie did what Eddie did and you’ve got to wonder what’s next.

Things of interest for (comic) fans: the appearance of Jay Garrick’s Golden Age Flash helmet, the mention of Rip Hunter and his time sphere, the images inside the Speed Force (including a shot from outside the Flash Museum), and a relatively ambiguous last shot.  What if time can, indeed, be rewritten?  Now it’s not just about what the future holds; it’s also about what new things happened in the past.  And did anyone else catch that mention of “cobalt” by Harrison Wells?

Here’s the teaser for the next season.  Nothing particularly new.  It’s a nice way to cap off the season, though.

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Believing in Magazines

magazinesOver the last three months, I’ve tried my best to post at least one thing a day to this site.  I didn’t have any initial intention at the time, really, but it was something I read in James K. A. Smith’s “I Believe in Magazines” that gave me the nudge.

Smith’s take on the significance of magazines falls in line nicely with Alan Jacobs’ look at commonplace books and Andrew Sullivan’s thoughts on blogging.  Originally given as a talk to “the Augustine Collective” of college journals with a Christian perspective, the essay lays out nine encouraging thoughts on why magazines are an important medium.  And as so many things of worth, it starts out personal.  Smith asserts:

Sometimes our callings know us before we know our callings.

From there, he revisits the significance of being an editor of a magazine in his own way in connection to BMX biking as a teenager.  Now Smith edits Comment magazine, which is tied to his work as a teacher at Calvin College.

Smith sees magazines as a way of “filling the earth” with good things (in a nod to the creation account in Genesis 1).  Magazines are ways to “extend the sacramental” like bodies extend the thoughts of the individual and the community.  He encourages magazine writers and producers to create “conversations to be overheard” and to “always be editing” as those conversations take place.

But it’s his insistence that magazines are a way to “curate the world” that struck me as particularly significant.  When Andrew Sullivan stopped blogging a few months ago, even those who served as his most vocal pushback were sad to see the end of what had become a way to massively curate the online world (something that blogging at its best does).  But curating has a slant.  Smith says:

Influential little magazines set the tone, chart a path, put issues on the map.  In some ways, a good magazine “curates” the world from a stance of conviction.  That means you need to have conviction; but it also means you need to be looking out on and engaging the world . . .

Invite your readers to see the world through the lens of your editorial vision, one that should be honed by the one who is the image of the invisible God (Col. 1:15).  A magazine is an ongoing way to cultivate a worldview by curating our perception of the world.

And so as juvenile as blog posts about comics or television or movies might be, it’s at least a small way that I can bring some things together and repackage them from my own perspective.

I encourage you to read the whole article here.

The television season is winding down, as is the current school year.  I hope that means more meaty posts, more pointed thinking.  We’ll see.  That’s a big part of what blogs . . . and magazines . . . are about:  what you see and showing what you see to others.

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All-Flash Weekend: A Season Flashes Before Your Eyes

By this point you’re probably asking yourself: what’s this guy going to post once this television season is over, especially with The Flash done Tuesday?  Well, before we get to that, here’s the final “sizzle reel” for the season.  It’s a nice summation of the season so far (and in less than two minutes).

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All-Flash Weekend: One Minute Mile

Here’s the one-minute preview for Tuesday night’s season finale of The Flash.  There’s a lot less pressure on it (in my view) now that Legends of Tomorrow won’t drop until 2016.  Still (and as any fan of the Doctor knows), time travel is a tricky proposition.  I’m expecting (and actually kind of hoping for) major fallout from the episode.  We’ll find out in three days.

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All-Flash Weekend: Four-Color Finale Edition

Here’s the final “print” preview of next week’s season one finale of The Flash.  Doesn’t give much away, but it definitely gets the sense that the kid gloves are off.

Flash Four-Color Finale

Tomorrow I’ll post the minute-long trailer for the episode. (hat tip to comicbook.com)

 

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The One Where We All Got a Life?

The FonzLong before the internet meme, there was the catch phrase.  The Fonz with his thumbs-up “hey” or Joey Tribiani’s “how you doing?”  The Full House “how rude” or the Family Matters “did I do that?”  Catch phrases showed up in TV, radio, and (perhaps especially) commercials.

Some phrases, though, resided primarily in the conversational lexicon more than on the TV screen.  A great example: get a life.  We all said it.  We all thought it.  And, according to Douglas Coupland, it’s a phrase you don’t here at all these days.  He writes about in the broader context of boredom (or our lack of it in the 21st century).  From his recent Financial Times column:

In the 1990s there was that expression, “Get a life!” You used to say it to people who were overly fixating on some sort of minutia or detail or thought thread and, by saying “Get a life!”, you were trying to snap them out of their obsession and join the rest of us who were still out in the world taking walks and contemplating trees and birds. The expression made sense at the time but it’s been years since I’ve heard anyone use it anywhere. What did it mean then, “getting a life”? Did we all get one? Or maybe we’ve all not got lives any more — and calling attention to one person without a life would put the spotlight on all of humanity and our now full-time pursuit of minutiae, details and tangential idea threads.

It’s an interesting question to pose: did we stop saying it because we followed our own advice?  Or have things gone the other way?  I think it’s definitely worth thinking about and most assuredly worth casting some kind of vision for.

You can read the rest of Coupland’s article here (though the site might ask you to answer a question or two before reading).

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The Muppets and America’s Best Broadcasting Company?

I don’t make my way to ABC much these days, primarily for Marvel’s Agents of SHIELD.  That could change at least a little bit this fall thanks to this trailer for a new show with the Muppets.

 

There’s a part of me that shares Gonzo’s cynicism on this, but I think the concept should be good for at least a season.  I’ll let them light the lights first; then I’ll decide.

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Better Busking through Disguise

Last week Jimmy Fallon and U2 caught some riders of the NYC subway system by surprise.  The band started in costume with a rendition of “I Still Haven’t Found What I’m Looking For.”  Then, sans disguise, the band brought in the good harmonies of “Desire.”  Here’s the video.

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Reactivated Acceleration

Between the two-hour season finale for Marvel’s Agents of SHIELD and the penultimate episode of The Flash, this Tuesday evening has shaped up nicely.  The CW has taken an interesting approach to its teasers: short teaser after the current episode and then a double-sized trailer a few days later.  Here’s the one-minute preview of Tuesday’s episode of The Flash.  I kind of knew that putting all those villains in one place was a bad idea . . .

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Still Looking for Them

Came across this video last night while reflecting on the day.  It started early and was full of classes and calls and conversations, so it was nice to find a breath of fresh air from what feels like a long time ago.

 

I’m always amazed at SCC’s songwriting ability, how he can almost transfigure (in a way) a mundane thing, like crayons and plastic space men.  It’s a great gift to have and skill to craft.

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