This Is Forty

I have to admit: I don’t feel forty.

Granted, also have to admit that I’m writing this Tuesday night, a couple of days shy of actually turning the big 4-0.  Even still, forty feels like a strange number to hear cross my lips (or to type onto the screen).

And while I’d prefer to never ever use the phrase “middle-aged,” I suppose that there’s something to be said for “owning it.”  So it was of no small interest to find that David Brooks (of The New York Times and The Road to Character) had recently written a short essay on the topic . . . and had even mentioned Christian theologian Karl Barth in the process.  After discussing a new book about “new life in the 40s and 50s,” Brooks says:

The theologian Karl Barth described midlife in precisely this way. At middle age, he wrote, “the sowing is behind; now is the time to reap. The run has been taken; now is the time to leap. Preparation has been made; now is the time for the venture of the work itself.”

The middle-aged person, Barth continued, can see death in the distance, but moves with a “measured haste” to get big new things done while there is still time.

It’s a nice thought, for sure.  And it’s something we’ll probably hear more and more as we keep living longer and longer.  It lines up with some business and “character” books that I’ve read.  And I hope that it’s true.

You can read the whole article here.  It’s nice thinking, for sure.  And, as is often the case, Brooks’s writing is clear.  Beyond the Barth quotation, my favorite part of the essay:

By middle age you might begin to see, retrospectively, the dominant motifs that have been running through your various decisions. You might begin to see how all your different commitments can be integrated into one meaning and purpose. You might see the social problem your past has made you uniquely equipped to tackle. You might have enough clarity by now to orient your life around a true north on some ultimate horizon.

Life, of course, is rarely that easy and never that clear-cut.  But it’s definitely something to reflect on, to ponder, as if a new kind of possibility might open up.  We have no idea how it will open up, just that it might.  And maybe the next round of possibilities won’t seem so precluded.

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When Going Forward Means Looking Back

you are what you loveI’ve been trying to think of some way forward for some time now.  Forward in lots of ways really: faith, work, relationships, the rhythms of life.  I get bits and pieces here and there, often from what I read, sometimes from the words and encouragement of others.  Something that I find myself more and more convinced of, though, it that the way forward is going to look (at least a little bit, if not a lot) like looking back.  You get a sense of that with the Benedict Option.  You get a strong sense of it in the Old Testament.  And you get a sense of it in the ideas of others who are trying to figure out how to be faithful in “what comes next.”

I think one of the greatest strengths of Smith’s You Are What You Love (and with his other thoughts on cultural liturgies) is his insistence on looking to what has gone before.  To the Church Fathers, for sure, but also to Jesus and Paul.  As he wraps up his book while thinking about vocation, Smith sums it up like this:

In order to foster a Christian imagination, we don’t need to invent; we need to remember. We cannot hope to re-create the world if we are constantly reinventing “church,” because we will reinvent ourselves right out of the Story. Liturgical tradition is the platform for imaginative innovation.

I’me reminded of the Andrew Peterson song, “You’ll Find Your Way,” where AP encourages the listener to seek out “go back” and “seek the ancient paths.”  There’s something to that.  Maybe it’s everything.  I’m thinking You Are What You Love is a great step in the direction of finding that out.

(image from amazon.com)

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Entertainment and Formation

concertOne of the greater challenges for churches at this point in the 21st century (and perhaps in any century) is how to work and worship for the formation of young people.  For years, it seemed like youth work was the cutting edge of the church: it was where all of the good and appropriately-forward thinking was taking place.  These days, from my outsider perspective, something about youth ministry seems somehow gutted.  In You Are What You Love, Smith attempts to address the question of raising young believers.  He works his way through the worship and communal aspect of the church.  He plays off of the part of youth culture that seems addicted to emotion and a kind of anti-intellectualism.  Consider:

While we might assume that the emotionalism of contemporary youth ministry is anti-intellectual, in fact it is tethered to a deeply intellectualist paradigm of discipleship; the whole point of keeping young people happy and stirred and emotionally engaged is so that we can still have an opportunity to deposit a “message” into their intellectual receptacles.

But we need to face a sobering reality: keeping young people entertained in our church buildings is not at all synonymous with forming them as dynamic members of the body of Christ. What passes as youth ministry is often not serious modes of Christian formation but instead pragmatic, last-ditch efforts to keep young people as card-carrying members of our evangelical club. We have confused keeping young people in the building with keeping them “in Christ.”

(image from newschannel10.com)

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The Household Hum

householdOne of the ways that You Are What You Love moves beyond James K. A. Smith’s other books on “cultural liturgies” is how it approaches the implications for daily life.  Smith spends one solid chapter on marriage and “household life.”  It’s great stuff, particularly in how it references the Orthodox wedding ceremony as a better picture to guide marriages.

Here’s a great example of Smith’s take on the household in light of liturgies and love:

Every household has a “hum,” and that hum has a tune that is attuned to some end, some telos. We need to tune our homes, and thus our hearts, to sing his grace. That tuning requires intentionality with regard to the hum, the constant background noise generated by our routines and rhythms. That background noise is a kind of imaginative wallpaper that influences how we imagine the world, and it can either be a melody that reinforces God’s desires for his creation or it can (often unintentionally) be a background tune that is dissonant with the Lord’s song. You could have Bible “inputs” every day and yet still have a household whose frantic rhythms are humming along with the consumerist myth of production and consumption. You might have Bible verses on the wall in every room of the house and yet the unspoken rituals reinforce self-centeredness rather than sacrifice.

It is possible, and highly likely, that we “do the right things” while inadvertently promoting a wrong perspective.  “Checking the background noise” and considering the “imaginative wallpaper” must be heavy tasks, but I also have to think they are necessary and good.

(image from virtuallyatyourservice.co.uk)

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Midnight Special on the Run

MIDNIGHT SPECIALI would love to say lots of things about Jeff Nichols’s Midnight Special, but saying almost anything beyond the basics would spoil too much. I caught a showing yesterday.  I had high expectations, partly because Mud was such a well-done movie and partly because the only trailer that I saw for the sci-fi story of a young boy with powers (?) was its own kind of off-guard thrilling.

And so what can I say beyond “go and see it”?  Well.  It’s the story of a father and a son, of a mother and a friend. There’s a cult involved.  It’s a chase movie that also has some hints of 80s sci-fi flicks (some see the movie as a kind of homage to 80s Spielberg).  Adam Driver, aka Kylo Ren, plays a significant role in the movie.  Put him behind a microphone and he sounds just like his Star Wars alter ego.  It’s Michael Shannon, though, whose acting makes the movie.  His character stands at the intersection of all the things that are bearing down on his son, from both without and within.  There is also, I believe, a potentially beautiful picture for the kingdom of God to be found in the story, though it’s just slippery enough that it can’t quite be pinned-down.  For all of its big ideas and concepts, it’s a simple and subtle movie.  Some might accuse it of being vague, as the answers the movie gives are no where near as specific as we might be used to.  The movie’s last twist leaves you feeling intrigued, intrigued instead of robbed.  It’s a quality sci-fi flick, though, in the vein of both Looper and 10 Cloverfield Lane.  It’s definitely a movie worth your time and money.  Be sure to stay for the song that plays over the credits.  It’s a nice move on the movie-maker’s part, as it adds a kind of interpretive twist to the story.

(image from variety.com)

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A Way of Re-Enchanting the World

galadrielOne of the odd gifts of Tolkien’s Lord of the Rings is the way that it enchants the world for the reader . . . only to see that enchantment end as the story draws to a close.  A compounded sense of loss, indeed.  In the vein of Charles Taylor, James K. A. Smith argues that modernity has “flattened” and “disenchanted” the world.  His argumentation in You Are What You Love is a kind of response to that . . . a suggestion of how Christians might go about “re-enchanting” the world.

. . . now that the whole world has been disenchanted and we have been encased in a flattened “nature,” I expect it will be forms of reenchanted Christianity that will actually have a future. Protestant excoriation has basically ceded its business to others: if you are looking for a message, an inspirational idea, some top-up fuel for your intellectual receptacle— well, there are entire cultural industries happy to provide that . . .

But what might stop people short— what might truly haunt them— will be encounters with religious communities who have punched skylights in our brass heaven. It will be “ancient” Christian communities— drawing on the wells of historic, “incarnate” Christian worship with its smells and bells and all its Gothic peculiarity, embodying a spirituality that carries whiffs of transcendence— that will be strange and therefore all the more enticing . . . Because when the thin gruel of do-it-yourself spirituality turns out to be isolating, lonely, and unable to endure crises, the spiritual-but-not-religious crowd might find itself surprisingly open to something entirely different. In ways that they never could have anticipated, some will begin to wonder if “renunciation” isn’t the way to wholeness, if freedom might be found in the gift of constraint, and if the strange rituals of Christian worship are the answer to their most human aspirations. What Christian communities need to cultivate in our “secular age” is faithful patience, even receiving a secular age as a gift through which to renew and cultivate an incarnational, embodied, robustly orthodox Christianity that alone will look like a genuine alternative to “the spiritual.”

(image from theonering.net)

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Worship as a Kind of Training

Yesterday’s excerpt from Smith’s You Are What You Love pointed to the possibility of the Church as being the (re)training ground for loving well.  Here’s Smith talking more about that in the context of worship.

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Re-Training Days

And so we are people who long and want but who long at want wrongly.  And while we long and want sinfully, we sometimes long for and want things for reasons beyond us.  How do we learn to long and want differently?  Where do we go to “train for godliness,” as the apostle Paul might say?  James K. A. Smith suggests the following in You Are What You Love:

The church— the body of Christ— is the place where God invites us to renew our loves, reorient our desires, and retrain our appetites. Indeed, isn’t the church where we are nourished by the Word, where we “eat the Word” and receive the bread of life? The church is that household where the Spirit feeds us what we need and where, by his grace, we become a people who desire him above all else. Christian worship is the feast where we acquire new hungers— for God and for what God desires— and are then sent into his creation to act accordingly.

These can be odd words for evangelical Protestants raised primarily on “personal relationship with God” talk.  It definitely clashes with the “it’s not a religion; it’s a relationship” ideology that’s so easy to find.

Retraining, reorientation, takes time.  We often think that 21 days is the magic timeline, but that’s up for debate.  Regardless, repetition is an odd beast for many of us.  It reeks of insincerity.  And yet our worship is full of it, for good or for bad.

Here’s a video of a conversation with Smith from Biola University about the question of repetition, particularly as it pertains to an “evangelical allergy” to the concept.

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“The Glitz and Gleam of New Things”

Yesterday I posted an excerpt from James K. A. Smith’s You Are What You Love that spoke of how we are shaped, how we are (de)formed by things that work on a level different from and deeper than we are often aware.  Here’s a video of Smith approaching this idea from the vantage point of consumerism and “the glitz and gleam of new things.”

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A Matter of (De)Formation

habitsThe first move in James K. A. Smith’s argument in You Are What You Love is to help us understand that longing and desire play a key role in understanding why we do what we do.  “Your love or desire– aimed at a vision of the good life that shapes how you see the world while also moving and motivating you– is operative on a largely nonconscious level.  Your love is a kind of automaticity,” he asserts.  You are more than just a thinking self.  You are (primarily) and feeling and wanting self.

And so his second move it to help us get a better look “under the hood” and see if corrections can be made, if repentance is possible.  He does this is a way that might “recast” sin in a light that is difficult to swallow, but his argument is worth following:

. . . not all sins are decisions. Because we tend to be intellectualists who assume that we are thinking things, we construe temptation and sin accordingly: we think temptation is an intellectual reality, where some idea is presented to us that we then think about and make a conscious decision to pursue (or not). But once you realize that we are not just thinking things but creatures of habit, you’ll then realize that temptation isn’t just about bad ideas or wrong decisions; it’s often a factor of deformation and wrongly ordered habits. In other words, our sins aren’t just discrete, wrong actions and bad reflections; they reflect vices. Overcoming them requires more than just knowledge: it requires rehabituation, a re-formation of our loves.

The move he makes, which is odd to those of us with an evangelical, not-so-classical background, is to introduce the ideas of habits and virtues and vices.  And so beyond . . . or perhaps beneath . . . sins that are decisions, there are different forces at work, things that require rehabituation and re-formation.

+ + + + +

I remember something interesting happened to me some time after I started teaching.  After a few weeks, months, of getting to know my students and the things that were significant to them (hobbies, tv shows, music), I started seeing the world through different eyes.  I noticed things that were important to them, and the recognition wasn’t forced at all.  It was the result of day-after-day connection, of learning to know people, to love them, and to somehow become connected to what they loved, too.  That’s something life what I think Smith is talking about.  And it’s something worth reflecting well on.

(image from eremedia.com)

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