Midnight Special on the Run

MIDNIGHT SPECIALI would love to say lots of things about Jeff Nichols’s Midnight Special, but saying almost anything beyond the basics would spoil too much. I caught a showing yesterday.  I had high expectations, partly because Mud was such a well-done movie and partly because the only trailer that I saw for the sci-fi story of a young boy with powers (?) was its own kind of off-guard thrilling.

And so what can I say beyond “go and see it”?  Well.  It’s the story of a father and a son, of a mother and a friend. There’s a cult involved.  It’s a chase movie that also has some hints of 80s sci-fi flicks (some see the movie as a kind of homage to 80s Spielberg).  Adam Driver, aka Kylo Ren, plays a significant role in the movie.  Put him behind a microphone and he sounds just like his Star Wars alter ego.  It’s Michael Shannon, though, whose acting makes the movie.  His character stands at the intersection of all the things that are bearing down on his son, from both without and within.  There is also, I believe, a potentially beautiful picture for the kingdom of God to be found in the story, though it’s just slippery enough that it can’t quite be pinned-down.  For all of its big ideas and concepts, it’s a simple and subtle movie.  Some might accuse it of being vague, as the answers the movie gives are no where near as specific as we might be used to.  The movie’s last twist leaves you feeling intrigued, intrigued instead of robbed.  It’s a quality sci-fi flick, though, in the vein of both Looper and 10 Cloverfield Lane.  It’s definitely a movie worth your time and money.  Be sure to stay for the song that plays over the credits.  It’s a nice move on the movie-maker’s part, as it adds a kind of interpretive twist to the story.

(image from variety.com)

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A Way of Re-Enchanting the World

galadrielOne of the odd gifts of Tolkien’s Lord of the Rings is the way that it enchants the world for the reader . . . only to see that enchantment end as the story draws to a close.  A compounded sense of loss, indeed.  In the vein of Charles Taylor, James K. A. Smith argues that modernity has “flattened” and “disenchanted” the world.  His argumentation in You Are What You Love is a kind of response to that . . . a suggestion of how Christians might go about “re-enchanting” the world.

. . . now that the whole world has been disenchanted and we have been encased in a flattened “nature,” I expect it will be forms of reenchanted Christianity that will actually have a future. Protestant excoriation has basically ceded its business to others: if you are looking for a message, an inspirational idea, some top-up fuel for your intellectual receptacle— well, there are entire cultural industries happy to provide that . . .

But what might stop people short— what might truly haunt them— will be encounters with religious communities who have punched skylights in our brass heaven. It will be “ancient” Christian communities— drawing on the wells of historic, “incarnate” Christian worship with its smells and bells and all its Gothic peculiarity, embodying a spirituality that carries whiffs of transcendence— that will be strange and therefore all the more enticing . . . Because when the thin gruel of do-it-yourself spirituality turns out to be isolating, lonely, and unable to endure crises, the spiritual-but-not-religious crowd might find itself surprisingly open to something entirely different. In ways that they never could have anticipated, some will begin to wonder if “renunciation” isn’t the way to wholeness, if freedom might be found in the gift of constraint, and if the strange rituals of Christian worship are the answer to their most human aspirations. What Christian communities need to cultivate in our “secular age” is faithful patience, even receiving a secular age as a gift through which to renew and cultivate an incarnational, embodied, robustly orthodox Christianity that alone will look like a genuine alternative to “the spiritual.”

(image from theonering.net)

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Worship as a Kind of Training

Yesterday’s excerpt from Smith’s You Are What You Love pointed to the possibility of the Church as being the (re)training ground for loving well.  Here’s Smith talking more about that in the context of worship.

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Re-Training Days

And so we are people who long and want but who long at want wrongly.  And while we long and want sinfully, we sometimes long for and want things for reasons beyond us.  How do we learn to long and want differently?  Where do we go to “train for godliness,” as the apostle Paul might say?  James K. A. Smith suggests the following in You Are What You Love:

The church— the body of Christ— is the place where God invites us to renew our loves, reorient our desires, and retrain our appetites. Indeed, isn’t the church where we are nourished by the Word, where we “eat the Word” and receive the bread of life? The church is that household where the Spirit feeds us what we need and where, by his grace, we become a people who desire him above all else. Christian worship is the feast where we acquire new hungers— for God and for what God desires— and are then sent into his creation to act accordingly.

These can be odd words for evangelical Protestants raised primarily on “personal relationship with God” talk.  It definitely clashes with the “it’s not a religion; it’s a relationship” ideology that’s so easy to find.

Retraining, reorientation, takes time.  We often think that 21 days is the magic timeline, but that’s up for debate.  Regardless, repetition is an odd beast for many of us.  It reeks of insincerity.  And yet our worship is full of it, for good or for bad.

Here’s a video of a conversation with Smith from Biola University about the question of repetition, particularly as it pertains to an “evangelical allergy” to the concept.

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“The Glitz and Gleam of New Things”

Yesterday I posted an excerpt from James K. A. Smith’s You Are What You Love that spoke of how we are shaped, how we are (de)formed by things that work on a level different from and deeper than we are often aware.  Here’s a video of Smith approaching this idea from the vantage point of consumerism and “the glitz and gleam of new things.”

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A Matter of (De)Formation

habitsThe first move in James K. A. Smith’s argument in You Are What You Love is to help us understand that longing and desire play a key role in understanding why we do what we do.  “Your love or desire– aimed at a vision of the good life that shapes how you see the world while also moving and motivating you– is operative on a largely nonconscious level.  Your love is a kind of automaticity,” he asserts.  You are more than just a thinking self.  You are (primarily) and feeling and wanting self.

And so his second move it to help us get a better look “under the hood” and see if corrections can be made, if repentance is possible.  He does this is a way that might “recast” sin in a light that is difficult to swallow, but his argument is worth following:

. . . not all sins are decisions. Because we tend to be intellectualists who assume that we are thinking things, we construe temptation and sin accordingly: we think temptation is an intellectual reality, where some idea is presented to us that we then think about and make a conscious decision to pursue (or not). But once you realize that we are not just thinking things but creatures of habit, you’ll then realize that temptation isn’t just about bad ideas or wrong decisions; it’s often a factor of deformation and wrongly ordered habits. In other words, our sins aren’t just discrete, wrong actions and bad reflections; they reflect vices. Overcoming them requires more than just knowledge: it requires rehabituation, a re-formation of our loves.

The move he makes, which is odd to those of us with an evangelical, not-so-classical background, is to introduce the ideas of habits and virtues and vices.  And so beyond . . . or perhaps beneath . . . sins that are decisions, there are different forces at work, things that require rehabituation and re-formation.

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I remember something interesting happened to me some time after I started teaching.  After a few weeks, months, of getting to know my students and the things that were significant to them (hobbies, tv shows, music), I started seeing the world through different eyes.  I noticed things that were important to them, and the recognition wasn’t forced at all.  It was the result of day-after-day connection, of learning to know people, to love them, and to somehow become connected to what they loved, too.  That’s something life what I think Smith is talking about.  And it’s something worth reflecting well on.

(image from eremedia.com)

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Long for the Sea with Me

sea beautyJames K. A. Smith’s new book, You Are What You Love, drops today.  It’s been available digitally for a couple of weeks, though.  The book is a great read, accurately simplifying and building off of Smith’s thesis about “cultural liturgies” as found in Desiring the Kingdom.  Smith builds his argument well, starting off with the assumption that we all long for things and that such longings are deeper than any intellectual assent that we might make.  Consider:

To be human is to be animated and oriented by some vision of the good life, some picture of what we think counts as “flourishing.” And we want that. We crave it. We desire it. This is why our most fundamental mode of orientation to the world is love. We are oriented by our longings, directed by our desires. We adopt ways of life that are indexed to such visions of the good life, not usually because we “think through” our options but rather because some picture captures your imagination. Antoine de Saint-Exupery, the author of The Little Prince, succinctly encapsulates the motive power of such allure: “If you want people to build a ship,” he counsels, “don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.” We aren’t really motivated by abstract ideas or pushed by rules and duties. Instead some panoramic tableau of what looks like flourishing has an alluring power that attracts us, drawing us toward it, and we thus live and work toward that goal. We get pulled into a way of life that seems to be the way to arrive in that world. Such a telos works on us, not by convincing the intellect, but by allure . . . So again, it’s a question not of whether you long for some version of the kingdom but of which version you long for . . . You are what you love because you live toward what you want.

The idea of the good life weaves in and out of Smith’s argument, too.  It’s a phrase that has been twisted and co-opted in ways that can make it toxic towards some people of faith, like it’s about health and wealth when in reality it’s closer to something like human flourishing.

And so we ask the question: what world are we directing ourselves, feeling ourselves, to?  What kind of kingdom is the object of our affection?  What love is drawing us most?

(image from appszoom.com)

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Trading Zootopia for Eutopia

zootopiaI finally got around to seeing Zootopia over spring break. It had the best trailer of the movies showing before Star Wars- The Force Awakens, but it ended up low on my “need to see” movie list. I’m glad I saw it: it was colorful, creative, and even kind of challenging in its storytelling. I did find it a little heavy-handed ideologically, more so than most animated movies in the 21st century.

I saw Zootopia while reading Kevin VanHoozer’s Faith Speaking Understanding, which had its own interesting play in words with the idea of utopia (which means “no where”). In his discussion of the role of the church, VanHoozer asserts:

Neither heaven nor the church is utopian. However, the local church is indeed a eutopia (lit., “a good place”) because it is the place where disciples gather as the domain of Christ . . . Eutopia refers to the disciples’ “place” in the drama of redemption: the local church is empowered by Christ’s Spirit to enact scenes now of the not-yet kingdom of God. Put differently: the church’s “place” is the space between two ages, the old and and the age to come . . .

. . . the church’s mission is not to seek utopia but to be a eutopia: a good place in which the good news of reconciliation in Christ is exhibited in bodily form. The church participates in Christ not by partaking of his substance but by continuing his history and by exhibiting the history of his effects . . .

The local church is charged with turning every space where two or three are gathered into a eutopia: a place that practices and thus exhibits the reign of God. This is not the same thing as taking land, for the kingdom of God is ultimately not of this fallen world. Rather, the church’s placemaking mission means taking every word, thought, and activity captive to the broader drama of redemption (2 Cor. 10:4-5). Doing church means living out, in all the activities of everyday life, our identity in Christ . . . Where is Christ? He is in individual disciples and in the space between disciples, the “place” where scenes of his peaceable kingdom are played out.

I like the idea of eutopia. It reminds me of what Purdy said about good work being found in good places. The church and the daily space between disciples should be such places. I’d trade Zootopia for Eutopia any day.

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Reconnecting Worship and Worldview

I’m about halfway through my (digital) copy of James K. A. Smith’s You Are What You Love (which releases in print on April 5).  Smith’s Desiring the Kingdom has been one of the most formative books on practice that I’ve read in the last ten years.  In the video below, Smith talks about how Desiring and You Are What You Love are connected.

You Are What You Love has been a great read so far.  It’s definitely more fleshed out, a bit less philosophical (comparatively), a bit more pointed.  I’m excited to see where the last half, which seems to be geared more towards implication, goes.

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Song for the Weekend

From the July 1997 Cornerstone Festival.  Mullins’s The Jesus Record is a good and appropriate album for this weekend.

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