Derek Webb’s New Lyric Video (with passion, confession, and whimsy)

A good and proper disposition is a difficult thing to master.  I often find that the music of Derek Webb helps me get there in a good way.

Webb recently posted a “lyric video” to the title track of his September-dropping album.  I’ve linked to the audio of the song before, but I’m more than glad to embed the full video here.

One of the YouTube comments questions the identity of  the “you” in the song is.  This is one of those songs that benefits from the ambiguity, I think.  It could be someone personal to the singer.  It could be God.  It could be the audience.  It could be anyone and everyone.

I like the “include the fans” aspect of the video.  It works in a nice, whimsical way.  It shouldn’t be done often, but this time it’s good.

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Looking forward to the Secret Life of Walter Mitty

The only thing better than seeing the trailer for The Secret Life of Walter Mitty before The Wolverine was seeing it again before The Way, Way Back.  I’m doing my best not to learn more about the premise (though I have since learned the movie is a remake).  I like the style of the trailer, the idea of the imagination and living a braver life.  This definitely makes the promise of Christmas break even sweeter.  Check it out and maybe even be inspired.

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Rachel Held Evans and a Kind of 21st Century Transubstantiation

Rachel Held Evans’ article about young adults leaving the church had fifty pages of comments on CNN.com by the time I got around to reading it.  The article was beautifully written, but the page after page of comments were equally compelling.

I applaud Evans for articulating her thoughts so well.  As someone who feels almost completely abandoned in the traditional church and who also works with teens on the cusp of becoming young adults, I find her general concern valid.  I also know that even trying to talk about such things is like playing hopscotch in a minefield.  The article’s comments are a perfect picture of that.  If you scan the comments after the article, you’ll find both support and derision.  You’ll find people who follow Jesus and people who couldn’t care less about the walk of faith picking things apart.  You’ll see a lot of different people saying all kinds of things very passionately.  Everyone has something to say, but I fear that little of it makes for a good way forward together.¹

Evans seems to promote a kind of 21st century transubstantiation, “not a change in style but a change in substance” at church,  an allegiance to the kingdom of God and a deep longing for Jesus, something that “hipper worship bands” can’t necessarily accomplish.  But this isn’t just a concern for millennials.  I long for the change, too.  I know people further along in mid-life who feel the tension.  I’m glad that she gets to that point near the end of her article.  How, though, would such a change take place?  And how can things change when certain truths, like God Himself, are immutable?

I believe that many “traditional” churches are full of good people who love God, support missions, hope to understand the Bible better, and want to raise their families in a way that honors God.  But Evans is right: there also exists a need for many people to work out their faith, to be able to ask questions and seek out answers, which is not something always easily done in traditional church culture.  At one point she puts it this way: “we want to ask questions that don’t have predetermined answers.”  I would venture (and I might err in that venture) to say that many church members do not feel very comfortable asking (or answering) such questions, and that has at least something to do with the nature of religious knowledge and authority.   Religious knowledge might seem “tricky” because some of the questions people might ask actually have “predetermined answers.”  And if they aren’t predetermined, they are at least previously considered.  Christians have been working through issues of faith and practice for two thousand years.  So while the universe seems big and the world uncertain, we do believe that God has made some vital things known, some vital questions answered, in Jesus and the Bible.  To give quick, matter-of-fact answers to a believer might seem fine, but giving such an answer to a seeker can inadvertently short-circuit the process of seeking itself.  Such answers can treat us like beings with brains but not hearts.  But for a church leader not to give a matter-of-fact answer can seem like a kind of cultural capitulation and denial of biblical truth and authority.²  To even make space for others to consider alternative answers can feel heretical (even though it can be good pedagogical practice).  It’s a fine line that few seem comfortable walking in the traditional church (because if they do, they’re back in that minefield).  Maybe we would do well to see things like Chesterton wrote of them at the beginning of his book Orthodoxy: we must help seekers rediscover found things as if for the first time.  If we don’t, we’ll spend all of our time in a circular-reasoning situation, which isn’t much fun for anyone.

This is hard work.  But it is good and necessary work.  And it is work to be done together.  It is the work of asking and answering questions and then putting those answers into some kind of practice, which is its own minefield.  But those conversations are necessary, too.  I have a co-worker who speaks often of transformation, and what she says is good and true.  God is in the work of transformation, of helping us see bread and wine in a new way, of making new creations,³ of remaking us into the likeness of Jesus through the work of the Spirit.  He does that with us one-on-one, but He also accomplishes it through people together.  And while He does that with us in the chaotic present, He does it with an anchor in the ancient.  I pray that He will continue to transform us, to make us new through ancient truth, that we can rediscover good things already found before, fresh and new for us all.

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¹  You can find RHE’s own response to things here.  She lists some of her sources and other things that people asked questions about in response to her article.

²  And in those cases, our inadvertent “well, d’uh” can become a sign for them to say “see you later.”

³ That’s a big thing for the Apostle Paul, especially in the last couple of chapters of Galatians.

P.S.  All of this feels like an over-simplification of a complex issue, which it really is.  That’s part of the reason why RHE’s original post has garnered such commentary.  There’s more, so much more, to say about God and Jesus and the Spirit and the Bible and about truth and revelation and interpretation, about following the living Jesus.  To focus on one thing to the neglect of others is in some way to distort the very thing you are talking about.  But it is a worthy and necessary conversation that we need to have more often and in person, even if it is one feeble sentence at a time.

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New Derek Webb Music (Just 10 Days Late)

I Was Wrong from Derek WebbIt’s been ten years since Derek Webb released his first solo album, She Must and Shall Go Free.  Like many of his fans, I was introduced to Webb’s work through Caedmon’s Call back in college.  Webb is one of those artists that I cannot help but respect even when I disagree with his latest style or a confusing lyric.  For ten years, he’s been pushing himself as an artist, finding ways to challenge and encourage the church (the subject of said first solo album), and helping those of us discouraged by the implosion of contemporary Christian music  make peace with the state of things.

A few days ago, Webb announced a thematic follow-up to SMASGF, I Was Wrong, I’m Sorry, & I Love You.  The album, due to drop in September, is an attempt to revisit the themes of his first album from the standpoint of “10 years later.”  (That’s something I get now that I’m “10 years later” in my own vocation.)  The folks at Relevant Magazine premiered the title track from the album a few days ago.  I encourage you to take a listen to it here.  I’m not sure about you, but I really like the sound.

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Recess: The Live-Action Open (It Doesn’t Whomp)

Disney’s Recess very well may be the last great Saturday morning cartoon.  Something about it, the multi-ethnic cast with mysterious pasts on a playground with a strangely accurate class system, really resonates.¹  Rarely has a show about children had such a simple but brilliant mythology.  A quality live-action version of the show’s playground-panning open was recently posted to YouTube, one that even Safety-Man would be pleased with.

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¹  A few years ago, I played episodes of the show before summer school started each morning.  It had an unexpectedly nice draw.

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Much Ado About Something Quite Good

Much Ado About NothingThis year’s take on Shakespeare’s Much Ado About Nothing plays like a Joss Whedon’s Greatest Hits album.

Whedon is known for a number of things: witty dialogue, strong female characters, large casts, and choosing amazing actors.  All of that is on display in this movie that brings together people from Buffy, Angel, Firefly, Dollhouse, and The Avengers.  The movie is set in one location: the house designed by Whedon’s wife.  The music is by Whedon and friends (with lyrics by Shakespeare).  The film is shot in black and white.  It does so many things so well.  But here are my top three things:

1.  Amy Acker is brilliant.  She was good in Angel and creepy in Dollhouse.  She shines brightly here.  Her facial expressions, her body language, her voice.  She is amazingly intense, and it’s great to see her use her whole range here.

2.  Alexis Denisof is hilarious.  He is Acker’s perfect foil.  His monologues are spot-on.  His physical humor is over-the-top wonderful.  After last seeing him in a faceless part in The Avengers and as a creepy character on How I Met Your Mother, it’s good seeing him here pulling out every stop in his performance.

3.  Fran Kranz really comes into his own.  I think he’s the unsung hero of Dollhouse.  And while he brought the funny in Cabin in the Woods, it’s better seeing him take on a full range like Acker and Denisof.  There’s a manic bent to his humor that keeps him unique in an amazing cast.

If you get a chance, see this movie.  It’s a nice change from summer’s blockbuster-of-the-week trend.  You’ll probably recognize a few faces (Nathan Fillion, when he finally shows up, plays his part perfectly.)  I think you’ll find it a couple of hours in the theater well-spent.  (And after a while you’ll totally forget you’re watching a black and white movie in Shakespeare’s English.)  Highly recommended.

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Dave Eggers: The British Skateboarding Magazine Interview

Huck #38 with Dave EggersI received my copy of Huck Magazine #38 in the mail a few days ago, straight from the Church of London.  It’s not often that I order a British skateboarding magazine, but then it’s not often that Dave Eggers graces the cover of even the most American of magazines, either.¹  But arrive it did, in gray plastic bagging and with a sheet of skateboard decals and a nifty, miniature notebook to make lists of things.  The Eggers article and comments alone were worth the postal fee.

Perhaps my favorite image from Eggers’s A Heartbreaking Work of Staggering Genius is that of “the lattice.”  The lattice is this sense of the connectedness of people, of things, this thing of people that will catch us when we fall, where we will catch others when they fall.  The article is titled “Beyond the Lattice,” and in it you get a glimpse of Eggers past, present, and future.  You find out about his next book (his first biographical book since AHWOSG), about how he connects writing with helping others, and about his love for books and stories.  Quality quote about the lattice and young adult life:

In a way, in your twenties in a new city when no one’s from here, we’re all sort of orphans.  The only people that you can count on are a bunch of people that you work with and that you know.  You’re only as good as the reliability of that latticework.  If it holds it can feel very good.  And if there are any weak links it can be very heartbreaking . . .

You can check out the first part of the article here.  And you can order the whole magazine here.  It’s well-made.  It has an interview with Judd Apatow in it.  You get at least one book recommendation from Eggers that I myself have taken and am almost halfway done with.  Plus you get some decals and a notebook.  You have to love that.

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¹ It’s more than just a skateboarding magazine, really.  It’s about “radical culture.”  So there’s skateboarding and surfing and literary stuff and craftsmen content.  A nice collection of good things.

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I Dreamed an English Major’s Dream

Last week I dreamed that I was back in college and walking into the English department.  There I ran into, saw for the first time in years, three of my favorite English professors, each perfectly in character, each a joy to see.  Two have moved on from that wonderful West Tennessee school, but I consider all of them significant to my formation as both an English major and a Bible major.

English majors and the things they love and do well have been in the media a bit recently.  A couple of my English major friends posted Facebook links to the New York Times article, “The Decline and Fall of the English Major.”  The quality article focuses primarily on the broad significance of the humanities and the hallmark skill of writing in which English majors find themselves immersed.

Steve Strauss, columnist and small business expert, shared his thoughts in praise of English majors over at the Huffington Post in an article titled “Why I Hire English Majors.”  Strauss praises English majors for their smarts, boldness, writing ability, and how easy they are to work with.

Being a solid writer is important.  I can’t help but believe, though, that being a solid reader might be the more important quality sometime soon.  I grew up thinking that all adults read, which I have since found to be not-so-true.  People are busy.  We love sound-bytes and status updates.  We prefer 2-1/2 hour adaptations to reading the 400-page book that serves as the movie’s source.  Few people have time to “waste” reading a good book unless we’re on vacation.  But I think that Karen Swallow Prior is on to something in her article at the Atlantic, “How Reading Makes Us More Human.”  True: there’s a lot of controversy around the benefits of reading fiction, but her approach to “spiritual reading” is spot-on.  That she quotes Eugene Peterson makes me trust her even more.  Give the article a read . . . and be sure to read the comments.  It’s an interesting conversation that we would all do well to think about.

I grew up in a pre-STEM world, where the humanities were of primary importance.  And while I respect mathematics and science greatly, I do believe that literature (and literary writing) will be of vital importance as culture moves forward.  Good literature read well both anchors us and challenges us in ways that logical problems and their significant solutions cannot.  Civilization is made up of buildings and roadways and telescopes to see the stars and research to stop diseases, but people are at its heart.  And if we’re not careful, if we allow ourselves to stop reading deeply, we will find ourselves in a great societal deficit we could only know exists if we have made it a point to read the best of our stories well.

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The Full Bono Interview

Here is the full interview between Bono and Focus on the Family.  There’s no video, but feel free to turn it on, turn it up, and listen to an interesting conversation about important things.

 

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Bono and Something Like Experiencing God

Lots of interesting talk about an interview that U2 frontman Bono gave to the President of Focus on the Family.  The folks over at Christianity Today posted some comments in their “Gleanings” section.  You can check that out here.  You can also see the Religious News Service take on the conversation here.

Mixing celebrity and faith is always an interesting thing.  We wander so close to a kind of faulty appeal to authority sometimes.  Bono, of course, has been doing this for a while, his work in other countries through the ONE program.  This week in my summer school class we’re talking about persuasive speaking, and he definitely seems to have the appeal of ethos down.

Two comments: I love what he says about joining God where He is already working, that such a work is “blessed.”  It’s an echo from Experiencing God all those years ago.  And it’s a good truth to wrestle with, especially in our age of distance and distraction.  And then there’s this:

“It’s very annoying following this person of Christ around, because he’s very demanding of your life,” he said while chuckling. “You don’t have to go to university and do a Ph.D. to understand this stuff. You just go to the person of Christ.”

I miss hearing about that Jesus, the one who is demanding and uncomfortable.  The one who reaches out to people in all walks of life.

I’m looking forward to hearing more of the interview.

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