U2 Not Quite Invisible

u2-invisibleHope you took the time to download U2’s new single, “Invisible,” over Super Bowl Sunday.  According to Rolling Stone, about 3 million downloads brought in $3 million dollars through Bank of America.  I was kind of hoping that the single’s release would be accompanied by an announcement for the new album.

That didn’t happen.

But Rolling Stone posted a rundown of comments from the band via a recent BBC radio interview.  Turns out “it’s not done ’til it’s done.”  Until then, you can check out the article here

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¹ My personal thoughts on the single?  It starts out as a pretty solid “break up” song that slowly becomes something else.  I am curious about how the full, unedited version goes.  The coda seems a little different from the rest of the song.  Having said that, I quite like the song lyrically.  Soundwise, it’s not as different as I was expecting.

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Reflecting on the Paradoxical Church

Over Christmas vacation I had a chance to catch up with a college roommate still connected with Union.  It was a great time for me, one that reminded me of how fortunate I was to attend a school that made healthy connections between faith and life.  One of my professors who is no longer at Union, David Gushee, just posted his first article for the Associated Baptist Press News/Herald.  Granted, he’s written a good bit for a long time, but it’s kind of nice to get in on a column from the beginning.

The first article’s opening lines:

Across the United States, many churches are fading, some churches are closing, and a handful of churches are surging with explosive growth. Sunrise, sunset; sunrise, sunset. One of the topics I want to address in my new role as Senior Columnist is the paradoxical state of our churches. And I will not hesitate to call it like I see it.

What follows is a reflection on a trip to a church that many conservative church-goers might find too different and even troubling but that all of us would be wise to be aware of.  You can check the whole article out here.  Definitely something worth thinking about.

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Reading N. D. Wilson

empireofbonesWhile I can’t seem to get into his long-form non-fiction, I’ve found myself quite enjoying N. D. Wilson’s more fictional or shorter stuff.  I recently rushed through the second and third entries in the Ashtown Burials series.  Much like his previous series, 100 Cupboards, the story is quite involved: invisible snakes, comatose parents, and a secret organization protecting the world from the threat of “transmortals.”  And yet there is something really engaging about the stories of Cyrus and Antigone Smith and the Order of Benedict.

Wilson has also started writing shorter non-fiction pieces for Christianity Today under the umbrella of “Mud Alive.”  Three have seen print so far.  The first, “To Tame the World,” is a nice piece about reality and our relationship to it.  The third piece, “The Dark-Tinted Truth-Filled Reading List We Owe Our Kids,” is exemplified in the “big bad” of Empire of Bones.  It’s the second one that gets me.  In “Our Love-Hate Relationship with Christian Art,” Wilson starts off with that queasy feeling some of us experience when talking about faith and the arts.  And then near the bottom of the first digital page of the article:

Christian art? Are you kidding me? Christianity has produced the greatest art of all time. Get some swagger, people, because we’re undefeated. Did a culture of atheism bring us Handel’s Messiah?Bach? What faith fed the Dutch masters? Give the cathedrals a glance and then find me better architecture. Have a listen to some American spirituals. To the blues. To gospel. Our brothers illuminated manuscripts (and don’t you forget it). Narnia. Hobbits. Folk songs. Symphonies. Through the history of the Christian church there runs a wide and roaring river of artistic glory, feeding believers and unbelievers alike.

And then some real encouragement:

Pursue excellence in your moment even when only he sees, because he always does. Strive to do better, to improve, to create glory, not because you fear catcalls from the bleachers of unbelief, but because the bar has been set so high by saints who have gone before, because you would love to be an accurate image of God, as true a reflection of his creativity as you can be. Take joy in your craft, lofty or lowly, because you would be like him.

You can read the entire essay here.  From there you can link to the other two entries.  The 100 Cupboards and Ashtown Burials can be found in most bookstores and online for order.

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Space Enough, and Time: Super-Bowl Edition

superbowlI’m not much for professional sports, but I’m all about trying to make sense of professional life in your thirties.  That’s why Chris B. Brown’s Grantland piece on Peyton Manning caught my attention a couple of days ago.

The article, “Better With Age,” looks at Manning’s ability to maintain his edge after 20 years in the game.  And while I haven’t been teaching for twenty years, I can’t help but feel that “the game” has changed as much or more than I have these past ten years.  Manning’s solution?  Something about “throwing short” and the “Drag.”  Brown:

Denver’s increased reliance on the Drag this season has been partially strategic, since it works well against the kind of press-man coverage many teams employ in lieu of letting Manning expose their zone coverage. It has also stemmed from physical concerns, though. Manning’s arm strength, while still serviceable, is obviously not what it once was. But, much as Michael Jordan shifted from slashing and dunking to employing a crafty and basically unstoppable fadeaway jumper as he aged, Manning has adapted to his physical limitations by relying on his anticipation, his ability to process defenses, and his knack for delivering accurate passes to receivers on the run.¹

I’d like to think that a teacher has a “better shelf life” than a football player, considering how physically demanding the sport is.  And yet there’s a kind of mental and emotional demand that comes with teaching that can trap you between maintaining what is and creating what isn’t yet.  I’m feeling it, eleven years in.  Change is constant: technology, students, personnel.  There’s a lot to work through that may have nothing to do with a sense of vocation and mission.  But if Jordan can move to “fadeaway jumpers” and Manning can emphasize short passes, then maybe there are better ways for all of us, teachers included, to get “better with age.”

You can read Brown’s entire article here.

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¹ The article includes a number of video clips and play diagrams that probably mean more to you than they do to me.  It’s a quality article, I think, even if I don’t get the nuance in much of it.

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Sherlock’s Many Almost Returns

Lots of good things coming out of Britain over the next few weeks.  Tomorrow we see “The Time of the Doctor” and another regeneration.  Then, come January, Sherlock and Downton Abbey return to American airwaves.  Thankfully, the BBC has released a “minisode” for Sherlock, something they mostly do (to great effect) for Doctor Who.  This one’s quite nice, too.

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Midnight with Dwarves in Barrels

It’s that time of year again: time to get in line for a midnight showing from the land of Tolkien-and-Jackson.  It’s been twelve years since that first midnight movie in Dallas.  Time flies, as Gollum or Bilbo might guess.

And so tonight it’s Bilbo and the dwarves in barrels.  I’m not sure why, but it’s one of my favorite images from The Hobbit.  There are lots of details of the story that I’ve mostly forgotten, but that image is strong.  I’m looking forward to seeing how Peter Jackson handles it.  I’m also quite excited that reviews for The Desolation of Smaug are quite good, especially when compared to An Unexpected Journey.

The denizens of Sesame Street recently got into a Tolkien mood.  Check out “The Lord of the Crumbs” below.  It’s got some nice moments, some quality nods to LOTR.  And its’s got a decent lesson-learned, too.

One of these days I’m going to have to research the fine line between Sesame Street and the Muppets.  Glad they both have a nice sense of humor and parody.

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Klosterman’s Generational Erosion

One of my most enjoyable reads this summer (amidst a few apocalyptic novels) was Chuck Klosterman’s I Wear the Black Hat.  I wasn’t sure what to expect from the book, as it was all about villains and villainy in almost every area of life.  Klosterman is an easy read for me, though not because of any inherent simplicity.  Something about his mixture of the personal and the cultural makes for a smooth, challenging, and ultimately enriching read.

Last week Klosterman contributed to Grantand’s “The Big Little Things of 2013” series with a rumination on Eminem and his unexpected interview with Brent Musberger on ESPN.  Both subjects are outside my areas of deep interest, yet Klosterman is able to make a brilliantly understated connection between family, technology, music, and culture.  Best sentence of the article?  Commenting on the rapper’s frank and almost dismissive answer about his most recent album, Klosterman surmises:

He’s trying to build a weird bridge to somewhere reasonable.

“Aren’t we all?” I asked myself as soon as I had read it.  What’s probably true for Eminem is true for me and you and Brent Musberger, too.  And that has both everything and nothing to do with the “generation gap” mentioned in the article’s title.

I’d encourage you to take a moment and read the article in full here.  It’s great writing, thoughtful and instructive in a way you don’t often find.  He’s correct, I believe.  Differences because of age still exist, but the strange spell of technology is creating an even weirder dynamic most of us are accidentally missing.

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Revisiting the Day of the Doctor

Deeciding on one “best moment” from The Day of the Doctor is a difficult task.  Mix in getting to see the episode in 3-D at the theater, and the choice gets even more difficult.  Pre-show slides recounting the Doctor’s 50-year history.  Strax introducing theater etiquette.  Tennant and Smith bringing the screen to 3-D with their sonic screwdrivers.  The TARDIS-eye view of London.  The beauty of 3-D paintings.  The story of the Time-War finally told.  Rose.  The finding of a better solution.   A special mini-documentary at the end of the evening.   Every bit brilliant moment, but every bit was almost lead-in, build-up to a conversation and a change in direction that sets Christmas (and the Christmas episode) up perfectly for something sad and special.

Hard to believe that the BBC posted the following two clips online, but they have.  They catch the turn perfectly: a look at the best of the past and a turn towards a better and even bigger future. Allons-y indeed!

Home, indeed.  And the long way, for sure.  What a journey it has been.

The Day of the Doctor is available online as well as on DVD and Blu-Ray starting today.

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Two Years a Sherlock-less London?

Rarely, if ever, do you actually get to pick up where you left off.

What’s true of life in general also seems to be part of the message of this next round of adventures for Sherlock and Watson.  The BBC just released a “full” trailer for the show’s third season, which drops in the UK a few days before it drops in the States.

There are links to an interactive version of the trailer, too.  I started watching it but decided I didn’t want the biggest mystery since the Smoke Monster to be ruined for me.  I look forward to the explanation of the two-year gap almost as much as I look forward to hearing about how Sherlock survived his final fall.

Sherlock series three premieres on January 14, 2014 on PBS. (And you can catch the show’s leads in the next Hobbit movie, which premieres this weekend.)

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Scribbling Out of the Silence

This morning’s Gospel reading was from early in the book of Luke, Zechariah nine-months silent after questioning Gabriel’s message of hope for the old man and his barren wife.  Zechariah walked out of the temple mute but making signs with his hands, unable to say a word about he had seen and heard.  I wonder if he assumed that his voice would return as soon as little John left the womb, if he was sad or mad as another silent week passed beyond the boy’s birth.  Elizabeth names the child “John” and the neighbors and relatives push back because no one in the family had been named that before.  So they turn to the mute man, making gestures of their own, futile.  And then, with the scribbling of the words “his name is John” on some at-hand tablet, the priest’s mouth is opened and his tongue is freed and all kinds of praise breaks loose.

I’m no Zechariah, but I have been silent lately.  True: I talk every day in class, have even preached a few times recently.  But I’ve also been experiencing an odd silence in different parts of my life, and I haven’t quite figured out why.  But reading Zechariah’s story this morning nudged me into hoping that some scribbling here and there will help loosen this tongue a bit.  And while I doubt every word will end up as praise, maybe they can at least point to something better.

Advent is about silence and its breaking, about four centuries of hope deferred cracked apart by sentences as simple as an infant’s name declared on ink and parchment. And maybe it’s even a bit about breaking some of the strange silences in our own lives.  I believe that God is good like that.

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