Sunday’s Best: A WuMo for Our Time

Something about today’s WuMo by Wulff and Morgenthaler seems apropos for our broader contemporary moment.  Let him who has eyes to see and ears to hear pay attention to the culture around us.

wumo for our time(image from


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Sunday’s Best: The Interchangeability of STEM?

Ah, Paige.  You try so hard.  Here’s today’s FoxTrot by Bill Amend.

cell division(image from

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Patty’s Honest Question

Peppermint Patty has been in something of a bind in this last week’s worth of classic Peanuts strips over at  Her school has introduced a new dress code, which has been a difficult for Patty to make peace with.  So here’s her honest question, one that many of us have probably asked a form of at some time or another.

patty's question

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Sunday’s Best: 10% of Almost Nothing?

Here’s today’s Frazz strip by Jef Mallett.  Not exactly how you want to start the new year, and yet it definitely makes a kind of sense . . .

frazz ambition(image from

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Aquaman; Into the Spider-Verse

trenchI’m trying to catch up on some movies that I didn’t get around to seeing because of the crazy end of semester/time traveling over the holidays.  On New Year’s Day, I saw Spider-Man: Into the Spider-Verse (which is as good as everyone says); today I saw Aquaman (which was much more enjoyable than I anticipated).

Something that I liked about both movies was that both of them trusted their audience to navigate that chaos of the story.  Granted, Spider-Verse had more of that because multiple dimensions were involved (which is nothing new to comic fans, really).  But even Aquaman had something of a pleasantly twisty story that went places.  Spider-Verse had the benefit of at least six previous Spider-Man movies to build off of.  Aquaman had a movie and a scene (Justice League and a moment in Batman v Superman), neither of which gave much information about the world of Atlantis.  And so you get a unified backstory that splits into seven kingdoms.  You get some dazzling displays and some interesting creatures.  You get some flashbacks.  (You get a place that seemed a lot like Skartaris, which would be cool to see fleshed out.)  And in the end, it all clicks together pretty well.  And all without the benefit of multiple replays of the destruction of Krypton or the death of the Waynes outside the theater.

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A couple of more quick comments about Aquaman.  First, I’m pleasantly surprised how enjoyable the movie was.  Sure, it’s not the Arthur Curry from the comics, but it’s a nice take on a character that blends in some of the best stuff from the source material.  I’m glad the movie is a success.  It definitely embraced an approach sorely missing from Man of Steel (which I mostly enjoyed) and Batman v Superman (which I can appreciate).  There was only one obvious nod to Justice League, which was nice, too.  And the mid-credits scene was tied directly to two points in the main narrative, which was a nice change of pace from mid-credits-scene-as-world-building.  The movie was beautifully shot.  Sure there were some awkward moments and scenes, but then you get things like the Trench scene and the conversation at Atlan’s trident . . . good stuff.  I even enjoyed the search for said trident.  The movie made good use of its long run-time.  It did have a couple of emotionally awkward moments, particularly at the beginning and the end.  It was good seeing Mera hold her own, too.

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Only a couple of more weeks to go before Glass, which I’ve been waiting a good while for.  It could be a great movie year, actually.  Lots of genre stuff, the kind of stuff that knows what quality looks like and that is built off of good franchise work.  The big question mark will probably be Shazam!  But lots of Marvel goodness before that one.

(image from


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A Song from the Painted Desert

The second semester of the year is about to begin, which means that Christmas break is turning into some early January chaos.  Lots of things to take care of, for sure.

Here’s a recording of Andrew Osenga’s “Give Up” from The Painted Desert.  The album dropped in 2018 and is a real gem, a wonderfully personal look at a life of faithfulness.  This song builds well, reflecting on some of the struggles of contemporary life in a creative way.

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Bringing It All Together

I’m giving a “professional development” talk at work tomorrow.  Here’s my content:

I really hope things blend together well . . .

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