Going Rogue with Trailers

Had some interesting back-and-forth at work yesterday about this trailer:

I liked the first trailer quite a bit, as it had some great visuals and didn’t feel beholden to the main Star Wars story (even though it plays a significant role in setting up A New Hope).  And this second trailer is great, too.  Lots more character moments along with some great visual shots that put your Star Wars imagination in a different place.

A few weeks ago, the folks at The Ringer posted what could almost be labeled as a screed about movie trailers and their tendency to say everything about a movie before you actually see it.  Case in point:

Trailers are ruining comedies by including all the funny parts. Seth Rogen: Your movies are funny, and I don’t really need to pay to see them anymore because all the jokes are free in the four Neighbors 2 trailers. Trailers are ruining horror movies by revealing all the scares. Trailers are ruining great movies. Almost all of Sicario’s best scenes are In. The. Trailer. … What?

I did not see Neighbors 2, so I can’t speak to that.  But I did see Sicario, and I mostly agree with the author’s assessment.  (Granted, I also thought Sicario was greatly overrated.)

I think there’s a place for great trailers.  Just yesterday a student showed the Walter Mitty trailer from 2013.  On some level, that trailer transcends the movie in a good way.  The same for Star Wars: The Force Awakens.  Both do something vital: they may give you lots of little narrative pieces, but that obscure the way the movie actually plays out.  (This is true so long as you stay away from internet discussion and speculation, I suppose.)

But Chris Ryan, the author of the Ringer piece, does get something right: the need for something new all the time from movie companies.

Why are movie studios doing this? Here’s a theory: With the emergence of social media marketing departments come new metrics for engagement. People watch trailers online; it’s fun, and if it’s not fun it’s a harmless distraction. Like everything else on the internet, content creation is a furnace. You need to feed it. So marketing departments demand more and more footage, and studios and filmmakers go along with it because they want their films to be seen. But by the end of the promotional cycle, the movie itself is just a two-hour albatross hanging around a three-minute trailer’s neck.

That’s the beauty of something like Comic-Con.  You may not get whole movies, but you get a foretaste of things you’ll get to see a year in the future.  Call me “guilty as charged” on this account.

I do have one “trailer” rule when it comes to movies, partly out of necessity, partly out of the joy of anticipation.  I do my best to stay away from non-theatrical previews.  As soon as clips start leaking for TV promotions, the kid gloves are off for what is permissible.  This is particularly true for movies like Star Wars or even 10 Cloverfield Lane, where I wanted to know something but not much.

My least favorite part of the second Rogue One trailer?  The inclusion of Vader at the end.  Totally unnecessary.  As a co-worker said yesterday, it would be great if Vader was always on the edge of the scene, a presence hinted at and worked around without becoming the movie’s main villain.  We’ll find out the case this winter (unless trailers spoil it for us).

You can read the entire “Stop Watching Movie Trailers” article here.

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Kubla Khan and Ecclesiology

xanaduSince the conception of “youth culture,” the tendency towards an entertainment-first focus has always been a danger.  Bells and whistles, light shows and rock music, spiritual highs and week-later letdowns have always been landmines in the field of souls.  The folks at First Things have posted a couple of articles about the new “ontological reality” that is entertainment as baseline not just for young people, but now for everyone.  As the fish in David Foster Wallace’s parable might say: Entertainment?  Entertainment is water.  From Carl Trueman’s recent First Things post:

To use philosophical jargon, entertainment is now ontology. We live in Xanadu, within the confines of a stately pleasure-dome of our own making. We have an economy that is significantly dependent upon the production and consumption of entertainment, a society where men who play children’s playground games are lionized and paid more than the President, and a world where technology is not simply a tool but one of the structuring principles of our very existence and our ways of life, right down to the most mundane details.

What, then, is the church to do?

How can the church assert the truth of the gospel—an exclusive truth which makes demands in the present because of promises which will be fulfilled only in the future—in a world predicated on consumer options, entertainment, and instant gratification? Just a brief glance at the advertising for the most numerically successful and conservative evangelical conferences indicates the importance of the aesthetics of this present age in marketing, even for a serious, exclusive faith. Can we use such methods and still claim that something crucial has not already been conceded at the outset? To answer, “Well, if we don’t do this, if we don’t have the slick, attractive marketing, the cool branding, and the celebrities of the evangelical subculture, then nobody will come”—something I have heard many times—makes perfect sense. But the fact that it makes perfect sense—that, yes, we know that such an approach is culturally wise and necessary—is what is so significant, for it indicates that we are all now trapped inside the stately pleasure dome.

It goes back to the maxim about people and tools: we create them only for us to turn around to see how much they are recreating, reshaping us.  In my own personal experience, church youth culture (more than any part of the church’s culture) was a counter-culture that used some outside trends simply and well, without any real buy-in to the practices that weren’t rooted in Scripture).  Trueman continues:

There is a linguistic problem, too. It might be oversimplifying the picture (though not by much) to say that Europe secularized itself by abandoning the Christian idiom, America by co-opting the same. That makes the task here incalculably difficult because the very words we should use to communicate a serious message and to confront the world around us—holiness, sin, grace, repentance, faith, forgiveness—have been transformed, so that they now mean trivial things that have no real connection to orthodox Christianity. They, too, have become part of the linguistic currency of the pleasure-dome.

We clearly need a reformation as dramatic, if not more dramatic, than that of the sixteenth century. How that reformation can be accomplished and what forms it must take are far from obvious at this moment in time. But it has to start with a wholesale critique of the anti-culture of immediacy in which we live. And that must include acknowledgement that we are ourselves—individually and corporately—deeply embedded in the very essence of this present age.

The linguistic problem Trueman points out is real.  The words he mentioned have almost been hollowed of meaning . . . and not only for young people.  Rarely do I hear adults use them in an orthodox sense, too.

I appreciate Trueman’s call for a dramatic reformation.  What’s unfortunate is that many of those who could have been bastions for a better life have themselves been coopted by the culture of entertainment and immediacy.

You can read all of Trueman’s article here.

(image from bianoti.com)

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Co-opting William Blake

It’s not everyday that you get see a William Blake poem used for a car commercial . . .

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2016 in Twenty Twelve

In “preparation” for the 2012 Olympics in London, the BBC put together a “documentary show” titled Twenty Twelve.  It followed a dysfunctional version of the London Olympic organizing team during the five hundred days leading to the games opening ceremonies.

The show has some good moments, but two episodes stand out the most to me.  One, from series two, was about sustainability and the planting of a tree.  The other, from series one, involved the visiting team from Rio and one long, unfortunate bus ride.  Here are two clips from the episode, the first involving what happens when you forget obtaining a gift for your guests.

The episode builds well, particularly with the deadpan translator, who also gets a great moment in this clip, when the team misses the exit to the Olympic stadium.

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In Class with Klosterman

simulationThis semester I’m trying a couple of new things with my students to try and engage them on an intellectual level that doesn’t necessarily feed the beast of academia.  We are currently in a unit where we talk about the big questions of existence.  So last night, I had them do five minutes of research on Nick Bostrom’s “simulation theory” (this after researching Plato’s “Allegory of the Cave” as well as multiverse theory).  I only know of Bostrom and his theory because of Chuck Klosterman’s But What If We’re Wrong?  One chapter of the book ends up being about theories some might be led to label “conspiracy” but that transcend the descriptor.  Here’s how Klosterman described Bostrom’s “not the Matrix” theory of reality:

What we believe to be reality is actually a computer simulation, constructed in a future where artificial intelligence is so advanced that those living inside the simulation cannot tell the difference.  Essentially, we would all be characters in a supernaturally sophisticated version of The Sims of Civilization . . . But none of this would be real in the way that term is traditionally used.  And this would be true for all of history and all of space.

What Bostrom is asserting is that there are three possibilities about the future, one of which must be true.  The first possibility is that the human race becomes extinct before reaching the stage where such a high-level simulation can be built.  The second possibility is that humans do reach that stage, but for whatever reason– legality, ethics, or simple disinterest– no one ever tries to simulate the complete experience of civilization. The third possibility is that we are living in a simulation right now.  Why?  Because if it’s possible to create this level of computer simulation (and if it’s legally and socially acceptable to do so), there won’t just be one simulation.  There will be an almost limitless number of competing simulations, all of which would be disconnected from each other.  A computer program could be created that does nothing except generate new simulations, all day long, for a thousand consecutive years.  And once those various simulated societies reach technological maturity, they would (assumedly) start creating simulations of their own—simulations inside of simulations.  Eventually, we would be left with the one original “real” reality, along with billions and billions of simulated realities.  Simple mathematical odds tell us that it’s far more likely our current reality would fall somewhere in the latter category.  The chance that we are living through the immature stages of the original version is certainly possible, but ultra-remote.

Klosterman even brings Brian Greene, theoretical physicist, into the discussion.  Greene asserts that the theory could easily involve a geek a few centuries from now creating whole worlds on the computer system in his garage . . . and we’d never know.

Fascinating.

(image from linkedin.com)

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Anybody Got a Match?

This past Sunday I was joking with a friend about how great a Lord of the Rings (extended edition) marathon would be just hours before students arrived to start the new year.  And while I was totally joking, I did think about that great line from Gandalf found in this clip:

“The deep breath before the plunge,” he says.  And while school is no war, it’s also no small thing.  And then I found myself clicking on what is one of my favorite scenes in the whole trilogy:

I’ve always liked the match of Gandalf and Pippin, especially as both have been through so much before reuniting in Minas Tirith.  This scene, with so little dialogue, is a great juxtaposition to the first clip.  Dark night, deep breath, the kindling of hope.

The first week back with students has been good.  It’s always nice to revisit the basics and try to see things with fresh eyes.  And a story like The Lord of the Rings, as old a tale as it is, really help the process.

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On Liberty

liberty-bell-philadelphia-firstreadOver the course of The Fractured Republic, Yuval Levin traces the recent history of both our country and the people who constitute it.  While government and big business and culture are huge movers in the story, the daily practitioners of “expressive individualism” are the proof in the pudding.  “Expressive individualism” reflects the fatal end of a certain kind of liberty.  Which is why it’s good that Levin brings up the issue of liberty in the context of individuals, especially when the unspoken motto of every American is “don’t tread on me.

To liberate us purely to pursue our wants and wishes is to liberate our appetites and passions.  But a person in the grip of appetite or passion couldn’t be our model of the free human being.  Such a person is not someone we would easily trust with the exercise of great political and economic freedom.

The liberty we can truly recognize as liberty is achieved by the emancipation of the individual not just from coercion by others but also from the tyranny of his unrestrained desires.  This is hardly a novel insight, of course: Socrates helped his students grasp it twenty-five centuries ago.  Judaism, Christianity, and Islam are rooted in it.  But it is a truth our high self-esteem sometimes makes us forget.

This week I’m talking “worldview questions” with my students.  The question of “what is the point of human history?” is always a sticky one, with many students wanting to wrongly recast it as “what is the point of studying history?”  The question, though, assumes (hopes?) that the story of mankind on planet Earth is meant to go somewhere.  It is not existence simply for the sake of existence.  In the same way, liberty i s freedom for a reason.  Levin echoes Augustine when speaking of appetites and passions not being the point of existence.  And Levin is right: such talk is a huge pill to swallow for those who gorge ourselves with a high self-esteem diet.

The older idea of liberty requires not only people be free to choose, but also that they be able to choose well.  Such liberty arises when we want to do more or less what we ought to do, so that the moral law, the civil law, and our own will are largely in alignment, and choice and obligation point in the same direction.  To be capable of freedom, and capable of being of being liberal citizens, we need to be capable of that challenging combination.  And to become capable of it, we need more than the liberation of the individual from coercion.  We need a certain sort of moral formation.

To achieve that formation in a free society—where we do not want the state to direct or compel it—requires that we commit ourselves to more than our own will and whim.  It requires a commitment precisely to the formative social and cultural institutions that we have seen pulled apart from above and below in our age of fracture.  They are where human beings become free men and women ready to govern themselves.

That word “older” is really important, I think.  Without it, we might equivocate ourselves back into the contemporary meaning of liberty as “permission to do whatever.”  Which brings us back to the idea of formation (particularly moral) and the institutions that are meant to be part of formation’s matrix.  And that’s the rub with Levin’s book and with our current situation: the things we need most to help in our formation are themselves  in ruin and in need of rehabilitation (which is why certain aspects of the Benedict Option make urgent sense).  The question for those of us in the middle, then, is how do we bring healing to one so that we might then bring healthy formation to the other.

(image from historicphiladelphia.org)

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The Difference between Community and Identity

identityOne of the things that has been most beneficial for me from reading Yuval Levin’s The Fractured Republic is that it has given me better language to describe the situation we find ourselves in.  Case in point: Levin’s discussion of the difference between community and identity.  Both terms are deeply personal, but both terms have also been abstracted to our detriment.  Having asserted the need for a “mid-level subsidiarity” for common life, he tackles the difference.

This is why subsidiarity is not multiculturalism, or balkanization.  And it is also why a subcultural conservatism would have to be embodied in actual, living communities—rather than in identities, which can be hung on individuals.  Identity politics is the logical conclusion of the premises of our era of radical individualism.  A subcultural communitarianism is a counter-balance to that logic.  Once more it is the institutions of community and civil society – standing between the individual and the state—that turn out to be most needful in our time.

Community and identity are not the same them.  But the difference can be hard to grasp, because we have lately come to use the word “communities” to describe what are essentially just joint identities.  A genuine community is not an intangible mass grouping (like “Jewish Americans”), but a concrete, tangible grouping (like “our congregation”) that gives you a role, a place, and a set of relationships and responsibilities to other particular human beings.  Community involves a mix of dependence on others and obligations to them, and so a connection with specific people with whom you share some meaningful portion of the actual experience of life in common.

We tend to balk at such notions, partly because we want to be captains of our own ships.  Dependence and obligations can be difficult realities to embrace.  And our fleeing to a digital reality often compounds the situation.  “Life in common” that is meaningful will also probably be difficult, it keeps us from hedging our bets.  The national level would work best, then, when this is true of life at the local level.

The notion that you can only understand your place in American life by conceiving of yourself as living in the national community is not a communitarian idea, however, but a form of radical individualism, because in a nation as large as ours, it is not possible to live in actual community with the entire society . . . National cohesion  . . . is not the same as interpersonal community and cannot ultimately substitute for it.

(image from placebrandobserver.com)

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Ricky Baker in Middle Earth

One of the cinematic highlights in the summer of 2016 has been Hunt for the Wilderpeople.  Directed by Taika Waititi (of What We Do in the Shadows), Wilderpeople follows the adventures of a kid rejected by society making his way through the New Zealand wilderness.  The movies sensibilities are good . . . great coming-of-age stuff that doesn’t feel forced or predictable, hitting all the right emotional beats while maintaining a unique voice and sense of humor.

Here’s the international trailer for the movie, which gets the tone of the movie much better than the U.S. version.

And if you want to hear a full version of the “Ricky Baker birthday song,” here’s the whole clip (no real spoilers).

The film is beautifully shot, of course.  Like Jackson’s rendition of Lord of the Rings, New Zealand almost plays its own character in the movie.  There’s even a nice LOTR bit in the movie, which didn’t make it in the international trailer, which is kind of nice.  The movie also has one of my favorite “sermon scenes.”  It’s done almost jokingly, but the story told by the priest rings true for those striving to live a life of faith.

If you can’t catch it in theaters this summer, it’s definitely a rental for a nice evening at the movies . . . at home.

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Inkling Lessons Learned (or: Generation Found)

tolkien lewisWhile I haven’t listened to the interview to be found at the article’s end, I did enjoy the recent Forbes piece on “The Inklings at War” by Jerry Bower.  In the article, Bowyer traces the philosophical implications of the first World War, particularly in light of contemporary culture, from Joseph Loconte’s A Hobbit, a Wardrobe, and a Great War.

As I surveyed the landscape of our leadership class here in America, I found myself tempted to despair. And then I spent several hours in the company of two World War I officers: C. S. Lewis and his future friend J.R.R. Tolkien, and I actually found myself refreshed. They were part of a generation which endured far worse than we have, and yet Lewis and Tolkien came out… I won’t say ‘unscathed’, but I will say scathed in a way which left them with empathy and wisdom along with their permanent scars. No, they never fully healed. Like Frodo, and Percival, The Fisher King, and like the Patriarch Jacob they carried their wounds for the rest of their lives. But they bought something with their wounds. Wisdom came from suffering.

Through historical and philosophical context, Bower concludes:

The lost generation dragged high culture down into nihilism and low culture into decadence, but the Found Generation founded a counter-counter-culture. The novels of Tolkien, and not those of Gertrude Stein, or T.S. Eliot, or even Ernest Hemingway are read widely by the general public (and not under compulsion of class syllabus). The Lord of the Rings was voted most beloved novel of the century by the British public. Lewis has a wide subculture to his name, and there’s serious talk about a C.S. Lewis College at Oxford. That’s because the middle and working classes cannot live on a diet of nothingness, they need meat, and in Lewis and Tolkien, they have been served red beef and strong beer.

Food for thought for us, for sure.

You can read the rest of the article (and the linked interview with Loconte) here.

(image from thewrap.com)

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