In many ways, Yuval Levin’s The Fractured Republic is a documentation of the broad changes in American culture over the last century. He does that on a large scale (and in large chunks) with his “ages” of conformity, frenzy, and anxiety. And he does it on a smaller scale when looking at four particularly economic transformations that are good to be aware of: globalization, automation, immigration, and consumerization.
Globalization, of course, is more present in the popular vocabulary now because of events like the British referendum to leave the EU as well as a number of other countries having “particularly populist” moments right now. Levin on globalization’s effect on the American economy:
Globalization has increasingly meant that rather than our national economy offering fairly plentiful low-skill, medium-skill, and high-skill jobs (and therefore opportunities for people with a wide range of aptitudes and in a wide variety of circumstances), it is the global economy as a whole that features those same three categories of work. And the United States, as the world’s wealthiest nation, has increasingly specialized in higher-skill work, while countries with lower costs of living and labor have specialized in lower-skill work.
Two other economic transformations work hand-in-glove with globalization and its effects. Automation has to do with the number of jobs that are reproducible through mechanical means (which excludes vocations on competing ends of the spectrum). With globalization and automation comes immigration, which is one of the touchiest subjects in our current climate. Levin’s take:
As an influence of the labor market, immigration is almost inherently a bifurcating force. Immigrants tend to match one of two profiles: they are either lower-skilled individuals from poor nations looking for greater opportunity through low-wage work that pays them more than they could earn at home, or they are high-skilled individuals from more advanced nations looking to benefit from the exceptional opportunities at the high reaches of the American economy. Those with skills somewhere in the middle, and in the middle class of their own countries, are less likely to undergo the rigors of emigrating for what would often be a lateral move. For this reason, immigration tends inherently to increase the specialization of our economy and to reinforce its bifurcation.
These three feel like “nothing new” on some level. It’s Levin’s assertion of a fourth transformation, which he calls consumerization, that interests me most. He asserts that the American tension between being a worker and being a consumer is fraught in new ways as our economy continues to grow and change (and specialize):
Simply put, nearly all of us in a market economy are both workers and consumers at the same time, yet our expectations of the economy in these two roles are vastly different. As workers . . . we want well-paying jobs with appealing terms of employment, flexibility, security, and satisfaction. As consumers, we want low-cost yet high-quality goods and services that are delivered on attractive terms. Obviously there is a tension between these sets of expectations.
I think consumerization plays out in different ways in different areas. You can definitely see effects in educational and religious institutions. These are definitely trends and transformations worth thinking about . . . and finding healthy ways to talk about.
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Yuval Levin was recently interviewed by Ezra Klein concerning The Fractured Republic. It’s a good podcast interview that wanders into some interesting places (including how culture and politics has changed over the last decade or so, with the early 21st century debates over stem cell research being one example). If you’ve got the time, I think it’s worth the listen.
Even though Yuval Levin’s The Fractured Republic is all about understanding modern-day America, it can also easily read as a parable for other institutions and organizations. Everything is connected, of course.
I believe it was marketing guru Seth Godin who introduced me to the idea that history may not repeat, but it definitely rhymes. That’s the sense you get when reading Yuval Levin’s The Fractured Republic. Sometimes patterns and trends really do exist, really do play out in history. Case in point: the idea of times of cultural crisis resulting in something different (though perhaps not “new”). From Levin on what happened in the 1970s after the shifts in the 50s and 60s towards individualism:

If there’s a book out this summer that’s worth your time and money, it’s Yuval Levin’s The Fractured Republic. I read it a few weeks ago and have been mulling over it ever since. In the book, Levin draws a picture of how 20th century America became 21st century America. In doing so, he points out that the thing most political leaders in the 21st century want to do is go back in time, to realign our common life with some particular moment from decades ago. From the introduction:
The stakes aren’t all that high for me with the recent release of Pokemon Go as a mobile app. It’s at least two generations removed from what was important to my childhood (I draw the first line at the Teenage Mutant Ninja Turtles, but that’s a conversation for another time). App-wise, I’m already a few trendy app-releases behind to have much interest in it (that first line got drawn at Snap Chat). But I get the excitability of the app. Even last night a (younger) friend asked if I had downloaded the game because he thought I’d be good at it considering my approach to transportation. And while one should never say never . . .
I think it’s great that Josie and the Pussycats wound up at #48 on the list. It’s a much better movie than audiences gave it credit for. It harkens back to the days of The Matrix, Fight Club, and Memento for me, particularly in its subversiveness, which the A. V. Club list points out. Still, I’m not sure how ha-ha funny it actually is. It embraces and subverts “everything Archie” quite nicely, really.
One of my favorite movies of the last five years, What We Do in the Shadows, is ranked at #26. From New Zealand, the story follows four vampires trying to make their way in 21st century Wellington. It’s told as a documentary that centers around an upcoming annual gathering of the creatures of the night. All of the vampire mythology is on display (like mind control and entry issues) to great effect. Even now, I crack up a but just thinking about the adventures of Viago and friends. The movie’s creator is starting work on the third Thor movie. After that, we’re supposed to get a look into the world of werewolves.
It was pretty cool seeing all of Edgar Wright’s work on the list (and quite high up, really). Scott Pilgrim Vs. the World, the one movie sans Simon Pegg, was ranked at #9. I remember seeing that one at Dole and my group of friends being divided straight down the middle in terms of how great (or horrible) the movie was. Wright’s “Cornetto’s Trilogy” showed up scattered through the fifty: The World’s End at #31, Hot Fuzz at #13, and Shaun of the Dead at #5. Having just watched it again recently, I can say that Shaun of the Dead holds up really well, both as a zombie movie and as a comedy. I really like Wright’s sensibility with the screen and with creative ways of storytelling (cuts and repetitions can work wonders with a story). After rematching Shaun, I revisited both seasons of Spaced, which are a great look at early Wright.



