Meanwhile, on Earth-2 . . .

I mentioned a few weeks ago that one of my early-2016 hopes was to see The Flash take its second season on the (inter-dimensional) road.  This preview gives a nice peek at what’s about to happen on The Flash:

There’s geek-talk, of course, about the identity of Zoom, the season’s big bad (who doesn’t have much presence in this trailer).  There’s also some speculation about how much this Earth-2 might resemble some other of DC Comics’ infinite earths.  Good to know we’re closer and closer to Barry breaking the dimensional barrier. (Will there be a cosmic treadmill involved?)

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Didn’t See THAT Coming

It’s the one that sneaks up on you that really gets you.

(hat tip: comicbook.com)

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Next Week and Tomorrow

We’re less than a week away from the winter return of The Flash, which means the premiere of DC’s Legends of Tomorrow is just around the corner.  I have to admit that I’m a bit skeptical.  Arrow has always been a bit too grim for me.  The Flash, on the other hand, has found a nice, Silver Age balance between heavy and humorous.  This has been especially true over this second season, as the cast seems amazingly comfortable in their roles.

And so skeptical: yes.  Still hopeful, though.  It’s the first big small-screen collection of live-action heroes in a while.  I’m a long-term fan of many of the characters, but I’m not sure how they’ll translate from the page to the screen (it’s the wings, really).  But if they get the chemistry right and the time travel elements plays out intelligently, then the CW might have a keeper (in the show and in this viewer).  Here’s the most recent trailer for the show, which debuts next Thursday.

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Ten Questions

Yesterday, marketing guru Seth Godin posted ten questions worth asking about work:

What are you doing that’s difficult?

What are you doing that people believe only you can do?

Who are you connecting?

What do people say when they talk about you?

What are you afraid of?

What’s the scarce resource?

Who are you trying to change?

What does the change look like?

Would we miss your work if you stopped making it?

What do you stand for?

What contribution are you making?

These are some great questions. They imply that work can be about more than just doing a job. Questions of fear and change and connection speak to the heart about things that matter.

It’s been a busy week for me . . . the busiest week of my year, really. But I believe it is good work, and I’m thankful for it. Godin and his questions help keep me in line . . . in the right direction. That’s a good thing, for sure.

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Remembrance of Things Past (Kenobi Edition)

The folks over at comicbook.com posted an interesting video to their site today.  It uses scenes from Star Wars: Revenge of the Sith as actual “flashback” footage in Star Wars: A New Hope.  Check it out:

I’m still not sold on what seems to be the prevailing notion that RotS is the best of the prequels.  It’s mistakes are too glaring and the stakes were too high.  Regardless, the clip is a nice attempt to weave some things together.

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Andrew Peterson in Concert

AndrewPetersonTonight I had the opportunity to see Andrew Peterson in concert.  This is a pretty cool thing for me.  I usually don’t make it to Tennessee for Christmas until after Peterson’s Behold the Lamb of God tour is over.  In fact, finding anyone doing a concert so close to Christmas would be a rare gift.  An even rarer gift? having one of your favorite musicians end up in Kailua, Hawaii (about 14 minutes from where I live).

The concert was held at Trinity Presbyterian Church; Trinity Christian School sponsored Peterson’s visit (he was also able to bring his wife and kids).  He took the stage for thirteen songs that spanned a good bit of his career (nothing from Carried Along, Clear to Venus, or [alas] Light for the Lost Boy).  Still, the rundown was great.  It was good to get some exposure to songs I have overlooked.

The Set List:

  1. After the Last Tear Falls (the closest thing to an Andrew Osenga song live for me in forever)
  2. Lay Me Down
  3. I’ve Got News (the first overlooked gem)
  4. a song I thought it was going to be Everybody’s Got a Song but turned out being Let There Be Light (he gave a nice nod to Tolkien here; another overlooked gem for me)
  5. Dancing in the Mine Fields
  6. Fool With a Fancy Guitar (overlooked gem)
  7. I Want to Say I’m Sorry
  8. Be Kind to Yourself (this song featured his daughter and youngest son; at this point, he moved to the piano)
  9. My Love Has Gone Across the Sea (lead vocals by his daughter)
  10. Invisible God (which was wonderfully rendered but then made a million times better by segueing into I See You by Rich Mullins)
  11. The Good Confession (final song on the piano)
  12. The Dark Before the Dawn (perhaps my favorite song from 2015)
  13. The Reckoning (after a great story evoking Tennessee weather)

The moment Peterson segued into “I See You” was a good one, a reminder of what really is a deep reserve of faith and music.  It’s also the kind of moment you’ll only get at a live performance.

I must say, seeing AP in concert has been on my bucket list for a long while, so it was cool to get to shake his hand and thank him for his music and for his ability to wed biblical truth and faithful practice so well.

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Friday Night Light

It’s been a nice, quiet Friday: the nice way to cap off a hectic beginning to the second half of the school year.  Because of some personnel shifts, I’m back to teaching five sections (which is a joy), which requires a bit of effort in rewiring my mind’s use of time.  I’ve also added a couple of more responsibilities to my list since I last taught five sections.  Spirit Week starts Monday, my eleventh round.

So tonight was for sushi, finishing a re-watch of the season one finale of The Newsroom, and nursing what will hopefully be a quick cold. (Famous last words, yes?)  The great hope for this weekend came in an email from a co-worker a few days ago informing me of a concert this weekend.  Turns out Andrew Peterson, who I often post about here, is on the island and doing a concert Saturday night.  That’s a bucket list thing for me (the last bucket list concert I made it to was Death Cab for Cutie a few years ago at the Republik).  I’ve been a fan of Peterson since he had “Nothing to Say,” which had a nice and necessary connection to Rich Mullins that I’ve always appreciated.

If you haven’t noticed, I’m trying to be a little more consistent here again. Content production is a tricky business, especially when you strive to communicate all day, too.  I think it’s worth it, though, if only for me.

Now for some Tylenol Cold and a few minutes with a good book.

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Hope in the Night

It’s been a short but packed week.  I’m definitely looking forward to the weekend, a real chance to recover from jumping into a new semester.

Here’s a song by Andrew Peterson and friends from their time last year at Laity Lodge.  Songs about hope are good songs.

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Epiphany and the Old Dispensation

Today marked the end of the twelve days of Christmas.  Epiphany, which commemorates the appearance of the Magi before the Christ child, is also used as a reminder of God’s extension of salvation to the Gentiles.  T. S. Eliot composed a poem that “wrote all around” that moment, “The Journey of the Magi.”

‘A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.’
And the camels galled, sorefooted, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
and running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.

Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kiking the empty wine-skins.
But there was no information, and so we continued
And arriving at evening, not a moment too soon
Finding the place; it was (you might say) satisfactory.

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

I especially like the next to last complete sentence: magi returning to their places, Kingdoms, but no longer at ease: “with an alien people clutching their gods.”  How true that glimpsing something so small as the Child could cause a subtle change in everything.

(“The Journey of the Magi” from allpoetry.com)

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Sherlocked into the Victorian Age

I was somewhere over the Pacific Ocean when PBS aired Sherlock- The Abominable Bride.  I’ve done a pretty decent job of staying away from reviews and spoilers.  So I’m pretty pumped to get to see the episode at the theater tonight.

Here’s a short “behind the scenes” video (minor spoilers at best) that was produced for the special.  I’m curious to see how it all connects . . . and what they do (if anything) to bridge the gap between Victorian and modern eras.

I did get the chance to go to Baker Street while in London this past fall break.  It was a nice moment.  Granted, it was mostly a store with an off-limits downstairs, but even still . . .  I do wish that my pictures of the Sherlock statue (from just off the Tube exit) turned out better.  Maybe next time.

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