Back to the Island: Back to the Beach

Lost PremiereToday marks the official tenth anniversary of that Sunset on the Beach where ABC premiered the two-hour pilot of LOST.  And what an evening (and series) it was!  Had the chance to say a few words in yesterday’s Star-Advertiser (not at my most profound), which was cool (thanks to a friend who also put together a crossword puzzle for the occasion).  A few days ago I dug up the “loot” that ABC passed out that evening: pictures, postcards, license plate frames, and even a hand-held fan (that still works).  It was a great beginning to a great show . . . one that has in many ways been emblematic of the best parts of life here on “the Island.”

The producers of the show put together a quick montage of the show’s run that aired recently at Comic-Con.  Thought it would be worth sharing here.  I’ll resume my “greatest hits” look at the series later in the week.

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Back to the Island: Beyond Science and Faith

One of the strongest themes that runs throughout six seasons of LOST is the potential conflict of science and faith.  From almost the beginning, Locke was the man of faith placed in contrast to Jack’s man of science.  It’s interesting to watch the characters change perspectives, especially in the first three seasons.  What are your presuppositions?  What new information do let shape your view?  Locke waffles when he learns more about the hatch.  Jack waffles when he understands the significance of the island after leaving it.  Here’s the confrontation from season one that really coalesced the conflict.

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A Banner for Five Armies

I haven’t said much about the imminent release of final installment of The Hobbit (which isn’t to say that I have nothing to say, mind you).  I’ve got a theory and I’m excited, but I’d rather put those thoughts down later.  Two things to look at, though.

First, Entertainment Weekly just released this “banner” for the final movie.  It’s a beautiful thing.  And once you click on it, you can enlarge it.

The-Hobbit-3-Banner

And then there’s the sole trailer that we have for the movie so far.  For the most part, it’s quite impressive.  The overlay of the song from The Lord of the Rings is a great and necessary touch.  And the last question, asked by Thorin, is probably a question straight from Peter Jackson’s mouth: you’ve followed me five times before, so can you follow me one more time?

The answer, of course, is yes.

 

The Hobbit: The Battle of Five Armies commences in December.

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Watch Out for the Watch?

The Apple WatchIt’s not that I have a problem with technology; my problem is with how we (don’t) think about how it affects the way our world actually works.  Part of this problem stems from my becoming an old codger.  Another part of it comes from interacting with people who don’t know a world without the internet.  But it’s what I’ve read over the last few years that has most informed my view on technology and its use of us.

So while I don’t plan on purchasing Apple’s new Watch when it releases, I do think it’s worth thinking about.  Two of my favorite authors have posted their thoughts about the tech, and their questions and concerns are good.

In his TIME magazine online piece, Nicholas Carr notes that Apple has a history of producing product that changes things, even if it starts out as nothing special.  Consider:

Apple has some experience in taking a lackluster new product and turning it into a must-have for the masses. When it released its iPod in 2001, there were already plenty of MP3 players on the market. None of them, though, had garnered much interest. The iPod, with its simple interface and copious capacity, broke the market open—and revolutionized the music business in the process. With the elegantly designed, eye-catching Apple Watch, the company is hoping to pull off a similar feat for wearables.

For Carr, though, that’s just the beginning of things.  The rest of his article focuses on things learned from the advent of the wristwatch.  It’s a good read that you can find here.

Another post worth considering is the list of questions raised by Seth Godin.  His post begins:

Watches and eyeglasses have morphed into devices that many choose to spend time and money on, becoming not just tools, but a form of identity.

We could extend this a bit to handbags and to cars, but the number of items that qualify as functional jewelry is fairly small–and the market for each is huge, far bigger than if the only use was as a tool.

Apple has long flirted around the edges of this psychological sweetspot, and the reaction to yesterday’s watch is fascinating to see.

From there, Godin asks four questions that connect to issues of fashion and identity.  You can read those four questions here.

Change, of course, is inevitable.  But we have been given the ability to reason, to think through, the potential benefits and costs of our decisions.  Even something as small as a wristwatch can have great effect.  That’s reason enough to watch the Watch.

 

 

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Back to Square One with U2

And we were all wondering why U2’s latest album was so long in dropping . . .

I found out about the release of Songs of Innocence at the end of a half-day at work.  Took a brisk walk home and downloaded the album so I could listen to it on big speakers.  Early favorites?  “The Miracle” and “Song for Someone.”

Bono did one brief interview along with the album’s release.  Rolling Stone got the story, and you can read it here.

And while there are no official music video for the album’s first track, you can hear a sample of “The Miracle” below.

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Back to the Island: Live Together, Die Alone

It’s difficult to believe what LOST would’ve been like without Jack.  The show’s creators originally planned to kill the character off in the pilot.  In the end, though, Jack was the real through-line for many of us.

Season One of LOST was all about the people: the seemingly random collection of people, not in a coffee shop or bar or neighborhood, but on a plane and crashed on an island where refusing to learn to live together meant a painful end for everybody. This speech was one of Jack’s finest moments.

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Google and a God Named Theuth

From Michael Harris’s The End of Absence:

In Plato’s Phaedrus, we hear Socrates describing how a king from Egypt called Thamus informed the god Theuth that the phonetic alphabet was not so great a gift. The god was particularly chuffed about this new technology, which he delivered to poor, illiterate humans, bragging that writing would make the memories of Egyptians more powerful and that it would super-charge their wit. King Thamus shrewdly replies:

O most ingenious Theuth . . . this discovery of yours will create forgetfulness in the learners’ souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves. The specific which you have discovered is an aid not to memory, but to reminiscence, and you give your disciples not truth, but only the semblance of truth; they will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing.

Was there ever a finer description of Google?

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Back to the Island: Ten Years of LOST

This month marks the tenth anniversary of the premiere of LOST.  It was ten years ago September 22 that ABC premiered the Hawaii-based show down on the beach in Waikiki.  The rest, for many of us, is history (and alternate history, as the case may be).  For the occasion, I thought I’d try watching the series again.  Here’s one of my favorite scene’s from the show’s two-part pilot.

I think my appreciation for this moment comes from watching everything Joss Whedon has made over the last ten years.  This scene, which involves the mysterious “smoke monster,” feels like something out of the Whedon playbook: the group shot.  I love how the camera moves, starting with individuals and pairs, and how it catches people in the background.  This feels like the first time that we see the cast as anything like a “team.”  It may be one of the only times, really.  From this point on, it’s “a few characters here, a few characters there.”  In the end, it all comes back to this group, on the other side of mystery.

I’ve got a few clips from season one to revisit, but nothing like a moment from every episode.  If you’re a fan of the series, hopefully this will be a nice call-back for you.  If you’ve never seen it before, you should give it a try.  Season one is almost perfect.  Part of that is because the sci-fi elements weren’t too prevalent so early on.  It really is about the characters, the survivors of Oceanic flight 815, and how they learn to live with what they know of themselves on an island and around people that they don’t know at all.

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Into Dalek-ness

It took a good while before the Daleks were brought back full-strength in the Doctor Who reboot a few years ago.  If memory serves, we only got one in the first season.  Looks like we’re getting one again  . . . this time as early as this weekend’s second episode.  Here’s a clip from “Into the Dalek.”

 

Welcome to a world where “morality is malfunction” and where Clara is a “carer.”  Hope it’s fun.

Doctor Who airs Saturday nights on BBC America.

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Everything a Rorshach Test

Rorschach from usyd.eduI recently started following the blog of Rod Dreher, which is its own story (and one I will get to next week).  A few days ago he passed on the thoughts of Brian Kaller, who grew up “next door” to Ferguson and now lives out of the country.  An excerpt:

I live in rural Ireland these days, and can’t vouch for what’s happening on the ground in Ferguson right now; I’m reading the same Rashomon-style reports on the internet like everyone else. As someone who knows the neighborhood and the city, though, I can tell that pundits around the world, left and right, are seeing in this tragedy whatever they want to see. Black activists see police racism, libertarians see a failure of big government, liberals see a need for better social policies, law-and-order conservatives for more … you get the idea. Whoever you are, this tragedy just proves you were right all along. And when the violence in this St. Louis suburb dies down, Americans of all political stripes might walk away having learned all the wrong lessons.

What’s true of big-picture politics is probably true of small-picture politics.  It’s the result of the “opinionization” of contemporary culture.  Everything is a Rorshach test.  Sit in a meeting where decisions are made, listen to adults trying to interpret basic information.  Somehow, almost unnoticed, everyone’s pet peeve or pet project becomes suddenly relevant.  We say our part and pat ourselves on the back and move no closer to real resolution.

I’d like to think I’m above this kind of behavior, but I know that I’m not.  It’s hard not to when everything seems to be at stake all of the time.  What would a better way look like, and it existed, would we even be able to see it?

You can read the full essay here.  And you can read Rod Dreher’s gloss here.

 

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