Tolkien’s Return of the (Once and Future) King

I’M NOT SURE HOW I WENT A WEEK NOT KNOWING THIS, but J. R. R. Tolkien has a new book coming out in 2013.  And it could be a good one.

Before Tolkien sat down to write The Hobbit, he took some time to retell the story of King Arthur as an epic poem.  Poetry isn’t something foreign to Tolkien and his writing.  His Middle Earth material is full of songs and poems.  I have to admit that I skipped those poems for my first few read-throughs, but I’ve grown to appreciate them and the role they play in Tolkien’s world.

The Fall of Arthur will clock in at 200 pages of alliterative poetry.  It will detail the final days of Arthur’s Camelot.  Some hope that it accomplishes some rehabilitation of the story popularized by Malory.  I’m a fan of T. H. White’s version, The Once and Future King (which begins with The Sword in the Stone).  Either way, the story is epic and tragic and (hopefully) all kinds of good.

You can read more about it at the Guardian’s site here.

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Postponing Community: Make Every Day October 19

A WISE MAN ONCE SAID that hope deferred makes the heart bitter.  That’s often the case, unless you know that maybe hope deferred will get you a better time slot or premiere date.

That’s the way it’s gone with NBC’s Community.  After losing its creator/show-runner and then being relegated to a Friday-night “death slot,” it looks like Community is getting a weird kind of reprieve.  And to celebrate it’s postponement, the cast has put together this nice little piece.  Enjoy it like it’s October 19!

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Katy Perry’s Greatest Moment

THERE’S SOMETHING INTRIGUING about the arc of Katy Perry’s life.  Raised in a religious home– making an album of religious music– achieving music star status without the use of a show like American Idol— star-studded marriage and separation.  The question of what comes next holds all kinds of possibilities, but it seems that a recent moment has trumped everything else.

According to the Huffington Post and Twitter, Perry has  achieved “the most important moment” of her career so far.  How?  As part of Comedy Central‘s Night of Too Many Stars in support of autism research and support, Perry sang her song “Firework” with Jodi DiPiazza, who both sang and played piano. DiPiazza does a great job with the song, and Perry does a good job of making room for an amazing young woman.

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Glee Takes on the Rapture

I WAS A BIT SURPRISED when Tim LaHaye’s Left Behind series founds its way onto the most recent episode of Glee.  The last time the show tackled religion, in season two’s “Grilled Cheesus” episode, the storyline was meaty and challenging.  This time around, it looked like some weird throw-away moment used to dismiss religion.  And then this happened:

The scene takes place in an episode where a number of last season’s graduates return to take care of some broken relationships, some broken dreams, and some broken promises.  Some of the remaining students have joined what amounts to a Left Behind reading group, whose leader pulls a “prank” on one girl by having everyone disappear while she is in the bathroom.  Is it a shoe-horned and slightly forced moment?  Yes.  But does it convey a hard truth?  I think so.

Getting “left behind” is no easy thing, and many of us have had our share of being on both sides of it.  We leave high school, college, hometown, family.  We get left behind by loved ones taking new jobs, following a divine call, lost because of a broken body.  Abandonment for any reason is rarely an easy thing.  Human frailty compounds the experience.  I know it because I’ve been guilty of it, and that’s something I’ve had to work on over the years.

It’s always a little frustrating when Glee does something that right.  So many episodes seem like so much fluff, moving from one theme week to another.  But getting left behind sucks, and it can hurt.  And while we don’t need silly musical television shows to teach us this, it is good that they can occasionally remind us of it and, in turn, encourage us to try better the next time.

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The Time Has Come to Read The Twelve

THESE ARE GOOD DAYS FOR READERS OF NEW STUFF. This summer saw the release of a new (and National Book Award finalist) Dave Eggers novel .  Then there was the first full biography of David Foster Wallace.  Just before Denver I finished Jonathan Tropper’s latest deconstruction of 21st century manhood.  I’ve given myself 48 hours to finish Michael Chabon’s Telegraph Avenue for one reason and one reason only: Justin Cronin’s sequel to The Passage drops Tuesday.

I’m not one for horror stories.  I get my zombie fix with The Walking Dead.  Werewolves have never been high on my horror list.  And while I’m quick to mock anything that has to do with the vampires of the Twilight series, Cronin’s take on a post-apocalyptic America overrun by vampires was enthralling.  I remember well working through a quick lunch and reading page after page at Aloha Tower: the most I’ve enjoyed reading a novel in a long time.

So I’m pretty pumped about The Twelve.  Word is that it covers two time periods, mirroring the format of the first novel.  It’s exciting to find yourself in a story whose ending is unknown.

The folks at The Beast caught up with Cronin a few days ago to talk life and craft.  It’s a nice teaser for what I hope to be a great book.  Check out the interview here.  And if you want an intense, intelligent page-turner, find a copy of The Passage (and then The Twelve).  I think you’ll be glad you did.

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Arthur Dent and the Frustrations of Long-Distance Travel

JUST BEFORE HE LOST HOME AND PLANET, Arthur Dent threw back six quick pints at the neighborhood bar on order from his (alien) friend, Ford.  Why? To prep for the effects of on instantaneous travel. Dent learned that traveling far quickly is no easy thing, that materializing from one place to another taxes both spirit and flesh.

After a week in Denver with dear friends, I found myself materializing in a hot and humid early evening in Honolulu.  I’ve spent the last four days feeling like Arthur Dent after that first jaunt, disoriented and trying to achieve normal.   I’m not convinced that my spirit has caught up with my body.  Or perhaps somehow over the trip, the shape of one had changed slightly, had shifted, the two no longer fitting. I haven’t felt steady yet, still not fully formed.

So I’m going to church today a little tentative, and I’m unsure of how ready I’ll be for the ring of Monday’s 7:45 school bell.  I think I’ll catch up to myself some time soon.  Until then, here are a couple of other Hitchhiker’s Guide to the Galaxy movie clips to serve as a reminder that traveling long distances in a short amount of time always takes a little time to get over.

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Twenty Years Leaving Like Elijah

IT’S NOT OFTEN that I sit around and browse YouTube.  It’s usually like shopping for me: know what you want when you set out.  When it does happen that I peruse for a long time, it’s mostly looking at music, and that mostly from Nashville musicians who connect me to my roots.

While looking for a quality Rich Mullins clip, I came across a number of interesting, seemingly random, concert recordings.  One from Wheaton in the 90s, was amazing but unable to be embedded.  The one below, is an amazing clip.  One of my favorite Mullins songs is “Elijah,” which he wrote over a decade before I heard it rerecorded for the Songs collection.  The beard is unexpected.  And while the lyrics are the same, his voice hadn’t seemed to settle into the tone that would carry through the rest of his collection.  Amazing.

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Travel and Rich Mullins’ America

THERE WAS A MOMENT, a few months ago driving somewhere between Portland, Oregon and the coast at Haystack, when Rich Mullins was playing and the fields were green and the sky was a battle of blue and white and I felt it, that immense sense of a God not tied to any land, present there even as He was present in all places, making the land passing by my rental car some kind of holy.

I’m flying out to Denver to see dear friends for a few days.  And while I’m excited to see my friends, I am also eager to see a part of the country I have not yet.  And as I do, I’m pretty sure this song from this musician will be going through my head and my heart: “Here in America” by Rich Mullins from A Liturgy, A Legacy, and a Ragamuffin Band.

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Closing the Loop with Looper (no real spoilers, I think)

LIKE SO MANY OTHERS, I kept waiting for Looper to crash under its own weight, to short-circuit because of its story-telling overload.

That crash, that short-circuiting, never happened.  Looper is as taut and quality a movie as you can hope for, rising head and shoulders above so many franchise-based, started-in-another-media movies.

The story of time-travel and present-meets-future is expertly acting.  Gordon-Levitt must be riding high after the success of The Dark Knight Rises.  And while Premium Rush wasn’t a critical darling, it was an enjoyable trifle.  JGL’s Joe is the through-line of the movie, with many other characters coming in and out effectively and easily throughout.  Emily Blunt plays Sara believably, which is key to the movie’s final act.  And Bruce Willis?  I have to admit to some fear that he would botch things up, especially as I settled a movie whose tone was darker than anticipated.  Willis adds some necessary levity (diner scene), but also ups the ante on the drama and violence quotient (see the previously mentioned final act).

The effects are quality, adding some nice touches.  The future is different, but not so different as to be unrecognizable.  The future, it seems, both is and isn’t the point in the movie.  I like the crop-duster and the junk hover bikes.  Lots of nice touches that change things just enough.  (Be warned: there is one things about the future that you don’t see much of in the trailer that definitely changes things.)  There is a simplistic beauty to the movie, especially once the story moves to include Blunt’s character.

But it really is the story itself that shines.  Many critics have noted how the story builds perfectly, with no part left without some connection to the greater whole.  They are right in that.  I do believe everything introduces comes into play. And things never stop moving forward.  And just when you think things have gone to far astray, the story (for lack of a better term) loops back in on itself.  Rian Johnson directs this story amazingly well, so well that you don’t think about it much until later.

In spite of its ambition, Looper never buckles under its own weight.  Instead, it folds in on itself perfectly, leaving you with one of the best movie-going experiences of the year.

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Trailers that Give Me Chills: Cloud Atlas

I’M PRETTY EXCITED ABOUT MOVIES these days, and it’s not just the promise of The Hobbit at Christmas-time.  I saw the trailer for Life of Pi at the theater again this Tuesday, and it still gives me chills (and I even know how that story ends).  I’m buzzed about the promise of this weekend’s Looper, too.  But there’s another movie that has pulled me in and whose trailer gives me chills: Cloud Atlas.

Cloud Atlas, like Pi, is an adaptation of a novel.  And moreso than Pi, it’s a daunting story (that I have not read).  Multiple storylines.  Multiple timelines.  My fear is that will be as frustrating as Tree of Life.  My hope is that it will be “transcendent” in a way Tree couldn’t be for me.

So if you have a few minutes: here’s the trailer for a movie that I think will be worth it.  Full-screen it and turn the volume up, and might even give you chills.

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