The Joy of Teaching

What started out as a quote about the particular love of teaching turned into a call for something more from pastors.  From VanHoozer and Strachan’s The Pastor as Public Theologian:

Stanley Woodworth, my high school French teacher, once described the peculiar passion for his own vocation in the following terms: “The joy of teachings lies not in one’s own enthusiasm for the students, or even for the subject matter, but rather for the privilege of introducing one to the other.”  If this is true of French, chemistry, or history, how much more is it true of the pastor’s passion, which is not simply love of God or love of people, but rather the love of introducing the one (people) to the other (God)?  The pastor’s special charge is to care for the people of God by speaking and showing and by being and doing God’s truth and love.  Success in ministry is determined not by numbers (e.g., people, programs, dollars) but by the increase of people’s knowledge and love of God.  This is the only way “to present everyone mature in Christ” (Colossians 1:28).

 

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The Form of a Good Life

Author and blogger Rod Dreher has spent the last couple of weeks reflecting on and writing about the passing of his father.  Dreher returned home to Louisiana a few years ago (after a number of years abroad) because of the illness and passing of his sister.  He has, for me, joined the ranks of a handful of artists and writers who have connected me to the life I left by moving to Hawaii.  One reflection just after his father’s passing spoke of the feeling that he was living in a Wendell Berry story.  And while I haven’t read any of Berry’s fiction, I have become a great fan of his non-fiction.  His thoughts about “a life well-lived” from the essay “Quantity vs. Form” came to mind in light of Dreher’s loss, and I thought they were worth sharing.

The issue of the form of a lived life is difficult, for the form as opposed to the measurable extent of a life has as much to do with inward consciousness as with verifiable marks left on the world.  But we are already in the thick of the problem when we have noticed that there does seem to be such a thing as a good life; that a good life consists, in part at least, of doing well; and that this possibility is an ancient one, having apparently little to do with the progress of science or how much a person knows.  And so we must ask how it is that one does not have the know everything in order to do well.

The answer, apparently, is that one does so by accepting formal constraints.  We are excused from the necessity of creating the universe, and most of us will not have even to command a fleet in a great battle.  We come to form, we in-form our lives, by accepting the obvious limits imposed by our talents and circumstances, by nature and mortality, and thus by getting the scale right.  Form permits us to live and work gracefully within our limits. . .

What is or what should be the goal of our life and work?  This is a fearful question and it ought to be fearfully answered.  Probably it should not be answered for anybody in particular by anybody else in particular.  But the ancient norm or ideal seems to have been a life in which you perceived your calling, faithfully followed it, and did your work with satisfaction; married, made a home, and raised a family; associated generously with neighbors; ate and drank with pleasure the produce of your local landscape; grew old seeing yourself replaced by your children or younger neighbors, but continuing in old age to be useful; and finally died a good or a holy death surrounded by loved ones.

There’s more to Berry’s thinking, a reminder of how far so many of us have traveled from that norm.  So many things to mourn and remember and maybe even recover.  I am reminded of Psalm 131 (NIV), one of the psalms of ascent:

My heart is not proud, Lord,
my eyes are not haughty;
I do not concern myself with great matters
or things too wonderful for me.
But I have calmed and quieted myself,
I am like a weaned child with its mother;
like a weaned child I am content.
Israel, put your hope in the Lord
both now and forevermore.

You can read Dreher’s reflections here.  The bottom of the post includes a list of all of the other reflections.

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A Close Reading of David Foster Wallace

Reading non-fiction in a big deal in high school these days.  It’s a large part of what the testing is all about.  And as a child of the 80s and 90s, I’ve always understood that reading was fundamental.  But teaching reading and comprehension is far from easy.

So I was kind of excited to find this video of a professor doing a “close read” of an essay by the late David Foster Wallace.  It’s good teaching and it’s good literature.  I’m so thankful for teachers who taught me how to mark things up when reading.  This guy (and the man he’s reading) is a good example of it.

By the way: go see The End of the Tour if you get the chance.  It could be the best couple of hours you’ll spend in a theater at the tail end of this summer.  It’s in a totally different category than dinosaurs and sentient robots.

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A Sort Of Wizards Duel

Gandalf in the DesolationThis week some of my students will start to read C. S. Lewis’s “The Weight of Glory.”  Every year I read it with my students, I seem to find something new or just askew enough to strike me deeply.  The best part, or one of the best, is when he talks of a far-off country and casting spells:

In speaking of this desire for our own far-off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you . . .

Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all that is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things– the beauty, the memory of our own past– are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never visited. Do you think I am tying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice . . .

Oh to cast some spell that the darkness might flee!  How strong the enchantment is that has fallen on us in these days, leaving us half-blind and utterly smitten with things that would bring us to an end.  And yet . . . Heh.  I guess that’s part of why I love the works of Tolkien and Lewis: how they contribute to the “and yet” that we also find in the biblical narrative.  They help keep that necessary space open, keep that heart from getting that much harder. The scent of a flower, the tune of a song, news from a far off country.

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The (Star Wars) Land We Leave Behind

Tauntaun SleeperOne of the odd sensations of apocalyptic storytelling comes from seeing normal places you have known transfigured by whatever forces have defeated the world.  The Statue of Liberty.  The White House and Washington Monument.  Mount Rushmore.  The Eiffel Tower.  Big Ben.  Any and all of the above will do.

What would it be like, decades of destruction from now, for survivors to come upon our recent obsession with recreating imaginary worlds?  Wanderers come across Hobbiton in New Zealand and wonder if little folk with hairy feet really walked the earth.  What is this strange place called Diagon Alley?  Did Asgard somehow come to planet earth?  And is this really a region of space known as Tatooine?

That last one is part of what resonates in a recent Grantland article by Bryan Phillips about the gobbling up of intellectual properties that are becoming a kind of real people and places.  The article focuses primarily on the recent announcement concerning the creation of Star Wars Land.  He starts out by talking about playing the Star Wars Galaxies video game at a particular place in his adult life.  Then, halfway through the article, he gets to this place when thinking about what Star Wars land might really mean:

For a series in which the ultimate act of heroism involves not surrendering to the will of an authoritarian central planner, Star Wars certainly encourages surrender now, or at least patient acquiescence to the corporate expansion-timeline being drawn up in Burbank. You’re going to get what you get. It will probably involve R2-D2. Might as well try to enjoy it.

This has been true of other creative ideas for some time . . . most of them tied to Disney and our very human-in-the-20th-century desire for our entertainment faith become sight.  It’s part of the DNA of commercialism, especially if you grew up in the 80s watching cartoons of the toys you wanted more than just about anything else.  It’s all over the movie theater these days: so many comic book ideas turned into major theatrical epics that make every few months at the theater feel like a normal Wednesday at the local comic shop..

From near the end of the article:

Maybe Star Wars Land will be great. But it’s hard not to see it as a further imaginative contraction, the literalization of my Galaxies experience. Visit the same five planets, take your picture with the same 12 characters. Keep talking the way you always talk. Only now you get to sit on the flume log next to the mildly depressed twentysomething writer and guy with the heart condition and secret cigarettes — which is fascinating in its own way, more fascinating than Star Wars, even, but again, presumably not what brought you to Hoth in the first place.

We are navigating strange times, indeed.  It makes you wonder if they’ll have near-authentic tauntauns that you can slice open with your own personal light saber in an attempt to survive the coming apocalypse.  For so many of us, I fear, that would be a trap.

You can read the whole article here.  It’s a good read.

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Beyond the Same Old Same Old

We’re just under three weeks away from the premiere of the ninth season of Doctor Who. Last Christmas feels like a million years ago, but the hope of a quality season with the Doctor and Clara that really pushes the show forward is still there.  This second trailer for the season looks to make good on that hope: lots of new things (and a few old ones) that could use some explaining.

The adventures of the Doctor continue September 19.

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Fear and the Walking Dead

Fear the Walking DeadLast night I finally got around to watching the first two episodes of AMC’s Fear the Walking Dead.  I did it primarily because Andy Greenwald over at Grantland recommended it.  I enjoyed the first season of the parent show, but (like so many others, I thought) I lost interest when the show got stuck on the farm in season two.  And while I’ve heard that the series has gotten better under its latest show runner, I just don’t have much interest in the characters. Or, more specifically, I don’t have much interest in their relationships.

Truth be told, I don’t know the names of the characters in FTWD yet.  Part of that might be a reticence to invest.  The other part is that, at least in things like zombie stories, it’s as much about the relationships as anything else (wait: the guidance counselor can only save the student by bludgeoning the principal?!).  And for all of the permutations that have happened over just two episodes, those basic relationships are the core that TWD never quite had.  Those relationships were too disparate, too strained from the beginning.  These are clearer and a little more grounded in love (with a healthy dose of teenage angst).  At this point I feel for these characters as much as I felt for Rick Grimes at first (but that’s about it).

This is the way the world ends, of course.  And as one character said in the second episode: when it happens, it happens quickly.  Which is both true and not.  That student, Tobias, mentioned all the things that will fail because people aren’t there to maintain them.  True enough.  But as I watch and think and feel your way through the falling apart, I can’ help but feel that it’s because society as represented in the show has lost its center.  It’s moved too far to the edges and now unable to recover.  That could just be the armchair sociologist in me talking, though.

As I watched the second episode, the movie Tomorrowland came to mind.  One of the twists in the movie is the revelation that forces have been at work for some time trying to “normalize” the end of the world by apocalypse.  All the movies, the tv shows, the novels we read desensitize us to the world that is ending right before our eyes.  As preachy as that moment was in the movie, something about it rings true.  Fear the Walking Dead, at least as it begins, may be more of the same.  But for those with ears to hear and eyes to see, it’s a warning nonetheless.

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Start Again

It’s difficult to believe that I am already one month into my thirteenth year teaching high school. At this point, we’ve already gone through the first cycle of things: first tests and projects, first homerooms and assemblies. It has been a good year so far, both challenging and comforting in different ways.

Starting again is a strange thing.  It often requires a certain amount of willful forgetfulness, a kind of naivete about things, assumes that a little time away somehow makes all things new.  It’s an odd optimism.  And while it’s been years since I first learned the difference between (blind) optimism and hope (based on truth), I have yet to fully and effectively maneuver well between the two. These last few years have been about learning to reorient my hope, which stands opposed to forgetfulness just as much as it stands opposed to blind optimism. Hope transcends students and adults, policies and (even) possibilities. We make hope’s foundation much too slippery when we don’t see Him for who He really is.

“I need hope to start again,” the song goes. Maybe it is the hope that needs the jumpstart, or maybe it’s the person. Either way, hope is key. And whether it’s year one or year thirty-one, the good and right hope is the essential thing, a common yet uncommon thing.

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A Seriously Heavy Granola Bar Commercial?

The folks over at Relevant Magazine posted this (long for a) granola bar commercial this morning.  It’s the heaviest granola bar commercial I’ve ever seen.  Check it out.

 

Last week while in Tennessee, I got to be “back out in nature” some.  There’s something to be said for junebugs and lightning bugs and squirrels and deer and things that grow and live that are beyond your knowledge.  It takes on forms particular to locale, of course.  In Hawaii it’s found in hiking and snorkeling and being on the lookout for dolphins and whales as you watch the water.  All of it is rooted, though, in some sense of wonder.

I’ve been dabbling with a couple of more recent Wendell Berry essay collections, and I’m always impressed with his ability to articulate the significance of the created world and the finesse required in knowing how to treat it well.  Beyond an appeal to tradition or nostalgia, this video definitely hints at something we should be careful of letting slip by.  I need to make sure and show this to my students.

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Traveling with Caedmon’s Call and the Third Guild Album

Caedmon's CallOver the last few months I’ve spent a lot of quality time listening to Caedmon’s Call and filling in some gaps in my music collection. Just before heading out on my recent trip to Tennessee, I found and ordered a copy of their third “Guild” album. The Guild albums were for their committed fans and often included live cuts, instrumentals, and songs that never quite made it to a studio album. When I found the album (from the year 2000), I ordered it and had it sent to Tennessee, where it waited for me to make my trek west to see some friends in Kentucky. While the collection has a number of anticipated moments and tracks (“Hope to Carry On” and “God of Wonders”), there were also a number of really nice surprised. My five favorite moments from the album:

  1. I wasn’t expecting to find a piano-infused rendition of “Standing Up for Nothing.” The song has long been a favorite (what a bridge!), and the piano coming in at the first chorus gave it a nice distinction from the album version. Also interesting: this version goes with the more grammatically pleasant “I’m not” instead of “I ain’t.” It’s the little things.
  1. There are two snippets of childhood performances by band members. The best involved an organ-y take on “The Lord is in His Holy Temple” that includes the most hilarious “shush” I’ve ever heard recorded. Ah, childhood musicals.
  1. Two tracks include vocal performances by fans that I wasn’t expecting. The first is a medley of Caedmon’s songs (a selection from a 45-minute piece) that weaves the words and keys of some of the band’s most popular songs together seamlessly. The second is an a capella version of “This World,” which isn’t something you’d expect to find at all ever.
  1. It’s always interesting when musicians make nods to other (often more popular) songs in their set. One totally unexpected moment from the album involves Derek Webb, Bebo Norman, and “I Want It That Way” by the Backstreet Boys. It’s the total opposite of the time I heard The Normals segue into U2’s “Wake Up Dead Man” and Mark Heard’s “Nod Over Coffee.”
  1. Near the end of the album is an excerpt from a video shoot with Rich Mullins. You hear his song “You Did Not Have a Home” being played while people are talking. After more than a verse and chorus of the song, it stops and then you hear Rich talking. Not sure what I was expecting, but it wasn’t that. What a nice moment of a kind of grace.

Honorable Mentions: an early and acoustic version of “Can’t Lose You” and a (much) shorter rendition of “There’s a Stirring,” which I’ve had on my mind a lot since Texas days.

It’s an odd but encouraging thing to revisit music from this particular band at this particular place in their career. It reminds me of a more thoughtful, literate, and engaging approach to the Christian faith. It was both a simpler but more complicated time, where you often “just didn’t want coffee.” I played the album throughout the rest of my visit home and am really glad to add it to my collection. It’s also spurring on some good thoughts for me, thoughts that I hope to play with over the next few weeks and days here in this short space between summer break and the fall semester of teaching.

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