Wendell Berry and Why I Reread the Lord of the Rings

From Wendell Berry’s essay, “In Defense of Literacy”:

. . . We must know a better language.  We must speak, and teach our children to speak, a language precise and articulate and lively enough to tell the truth about the world as we know it.  And to do this we must know something of the roots and resources of our language; we must know its literature.  The only defense against the worst is a knowledge of the best.

But to appreciate fully the necessity for the best sort of literacy we must consider not just the environment of prepared language in which most of us now pass most of our lives, but also the utter transience of most of this language, which is meant to be merely glanced at, or heard only once, or read once and thrown away.  Such language is by definition, and often by calculation, not memorable; it is language meant to be replaced by what will immediately follow it, like that of shallow conversation between strangers.  It cannot be pondered or effectively criticized.  For those reasons an unmixed diet of it is destructive of the informed, resilient, critical intelligence that the best of our traditions have sought to create and to maintain– an intelligence that Jefferson held to be indispensable to the health and longevity of freedom.  Such intelligence does not grow by bloating upon the ephemeral information and misinformation of the public media.  It grows by returning again and again to the landmarks of its cultural birthright, the works that have proved worthy of devoted attention.

From A Continuous Harmony, one of Berry’s earlier works.

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Praise with Xylophone

This is a great rendition of a classic song (with a xylophonic introduction).

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Arguments before Waterloo

An excerpt from Carl R. Trueman’s “Our Cultural Waterloo” recently posted to First Things:

Colleges are where the battle for the minds of the next generation will take place. And Christian colleges cannot win merely by shouting Bible verses, however sophisticated their idiom. Nor will they win by good old-fashioned arguments resting on logic and reason. That’s not how it works any more.

I became acutely aware of the latter fact some years ago, when I was challenged by a student while delivering a guest lecture on gay marriage at a very conservative Christian college. My arguments did not work, because . . . well, they were arguments, and did not take into account how the mind of my young critic had been formed. She had not been convinced by any argument. Her imagination had been seized by an aesthetically driven culture, in which taste was truth and Will and Grace carried more weight than any church catechism or tome of moral philosophy.

In such a world, arguments, even irrefutable arguments, will not suffice. We need something more comprehensive, something to capture imaginations. We need a philosophy of undergraduate education that offers visions of beauty, that connects the fields of knowledge our modern world has torn apart and isolated, and that speaks to the human desire for meaning. A good start might be making the study of poetry, that medium which at its best makes human language carry almost more significance than it can bear, a compulsory course for freshmen. If the narrative and aesthetic of the world are gripping, then we must show that ours are more gripping, rooted as they are in real beauty and real truth.

With Trump in the White House, Christian colleges have four, maybe eight, years in which the cultural and political tide might not flow as strongly against them as it did under Obama. Now is the time to organize, externally and internally. Colleges with a mutual interest in religious freedom and in preserving Christian standards of sexual morality and human personhood should talk to each other, abandon pipe dreams of “dialogue,” and coordinate their legal actions and political lobbying. They have the constitutional right to do so. America is still a free country. The whole is far greater than the sum of its parts. But time, focus, and realism are of the essence.

At this point I would say that college might be too late.  One reason for the curriculum in my department is that it assumes many students won’t go to Christian colleges but still need to hear something about thinking Christianly.

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Ragnarok and Roll, Too

Only one other trailer was as surprising and exciting to see out of SDCC besides Justice League: Thor-Ragnarok.   What was exciting was how the trailer moved our understanding of the movie’s plot forward without giving too much away.  Turns out the Planet Hulk part of the story might not be as dominant in the overall plot of the movie, which is great.  Plus we get more of Blanchett as Hela, which adds a lot of gravitas to the proceedings.

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Closer to the Tower

We’re just at a week until the release of Stephen King’s The Dark Tower.  The movie clocks in at just over an hour-and-a-half, which is a little concerning to me until I remember that The Gunslinger, the first book in the series, was originally little more than an novella.  The difference this time is that there seems to be a lot of back-story and world-hopping in the movie that wasn’t in the original book.  But this recent “trailer,” which includes nods to the bigger picture the Tower stands at the heart of, has reminded me that maybe that’s okay.

I remain hopeful, if only because this movie is the “last one” of the season for me for a good while.  I hope this trip to the Tower in the cinema won’t be the only trip to the Tower in the cinema.

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Third-Season Legends

Strange to think that DC’s Legends of Tomorrow will start its third season in a couple of months.  The show’s first season was rough . . . rough and stilted.  Season two was a great recovery, with much better dialogue and historical interactions.  Now the show does the time-warp again, morphing into something that will hopefully make for an even stronger  third season.  Here’s the trailer from San Diego Comic-Con.

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Back in a Flash (Fall 2017 Edition)

Even though we’re still a couple of months away from most fall-premiering television shows, events like San Diego Comic-Con have become a great excuse for premiering teasers and trailers.  Case in point: the trailer for the upcoming fourth season of The Flash on the CW.

It will be interesting to see how quickly they undo the third season’s finale-twist, which left Barry entering the Speed Force to keep some kind of balance.  Having a villain demanding Barry’s presence could make for an interesting twist.  I can’t imagine Barry being back fully by the episode’s end.  It would be interesting to see if the show could pull a late-run Buffy the Vampire Slayer, which saw the title character brought back from the dead . . . and sad that she had been brought back to earth from an afterlife of paradise.  Regardless, Team Flash has some ground to make up that was lost during the strangely stagnant season three.  Hopefully they can pull it off.

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The Thrill of Stranger Things

Of the many exciting trailers to come out of this past weekend’s San Diego Comic-Con, the latest trailer for the second season of Stranger Things sits high on the list.  This trailer, with great nods to Michael Jackson’s “Thriller,” makes some interesting pop culture connections that I can’t wait to see play out.

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“Twice Upon a Time”

Here’s today’s teaser release for the Doctor Who Christmas Special.  No River Song saying “spoilers” needed here.

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Are You Ready, Player One?

A couple of Decembers ago I found myself in the Minneapolis/St. Paul airport without a novel to read.  I left the terminal bookstore with a copy of Cline’s Ready Player One (and this after at least a year of hearing great things about it but feeling it was too “cool” and self-aware).  Needless to say, I thoroughly enjoyed the book, thought Cline distilled pop culture and built his sad world well.  Here’s the SDCC-released first trailer for the upcoming movie, directed by Steven Spielberg.

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