On Stalling

A good word from Seth Godin about organizations and stalling, because “the challenge of a stressful day is rarely directly related to today, it’s about tomorrow or years from now.”

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Three “Working” Suggestions for Churches

Today’s post by Seth Hedman over at First Things is an interesting take on post-pandemic church culture (which also puts it in line with this piece by Ephraim Radner from the spring of 2020).  In the post, Hedman challenges churches to make make two broad shifts: from white collar to blue collar and from pandemic church to post-pandemic church.

It’s an interesting blend of thought, really.  Hedman cites his time in carpentry and DoorDash driving as a way of realizing how “white collar” the church has become.  In many ways, he’s not wrong, particularly in those who are most prolific in writing and in being read in certain circles.  And his observation lines up with suggestions that the rise in the “nones” has a lot to do with economic and vocational factors as such as anything else.

Hedman gives three suggestions for what “the real work of the church” should look like moving out of the pandemic.  First, ministers should revisit the work of “the Daily Office.”  This isn’t something familiar for most Baptists from my background, but it has entered my experience over the last decade.  The Daily Office is rooted in the ancient practices of “prayer hours,” when religious figures would stop regularly for prayer.  “Every morning and evening,” Hedman asserts, “the work of God should be [the pastors and churches’] primary daily responsibility, through public prayer and reading Scripture.  No more event planning and screen time.  No more closed church buildings during the week.”  In particular, that last part resonates with me.  I’ve never really had a “neighborhood church” experience as such, but I do not that having a place to “rest” in a particular way was an unfortunate consequence of church closures during Covidtide.  “Sacred space” is hard to come by.

Second, Hedman suggests a popping of the “ministry bubble.”  This is where the author brings in more of the “blue collar” perspective.  He suggests churches make a priority of hiring pastors with blue-collar working experience and that seminaries should have requirements for students to do manual labor.  Why? Hedman adds: “Too often, pastors who have only known the ‘ministry bubble’ have little vision for discipleship in the working world.  A pastor disciplined in the mixed life of prayer and work will better be able to minister to his working congregants and invite them to ‘follow me as I follow Christ.'”  That’s a gutsy final sentiment, taken right from the letters of Paul.  The general suggestion is well-taken: regardless of the color of your collar, how great it would be for your pastor to step into the world of your own work to better understand his sheep.

Finally, Hedman suggests a “sacramental revival.”  He mentions things like communion, baptism, kneeling for confession.  Then there’s the the removal of screens and the idea of no longer “catering” to an online audience (though still streaming if necessary).  This is where a lot of church are, I imagine, as there are still senior adults or families who have yet to return in-person.  Hedman suggests making the service more embodied, more physical and less digital.

It’s a piece worth reading and reflecting on, if only because it can help us reflect on our current condition in necessary terms.  I’d like to hear more about the “blue collar appeal” of things.  What he suggests can sound more “high church” than “low church,” which is something most of us aren’t really equipped for.  Either way, these are some things that church leadership should be thinking about, should be talking to their congregants about, especially as we move into “whatever is next.”

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Doctor’s (Return) Visit

Just about nine years ago, we got this hum-dinger of a scene at the end of the Doctor Who 50th Anniversary Special:

And yesterday, with Jodie Whitaker’s final episode, we got this:

Time will tell just how gimmicky the move to bring Tennant back is.  It will be for a short while, obviously.  And it was one last, nice twist in the episode after a number of other twists involving former iterations of the Doctor and various companions.  All together, this regeneration elevated a decent episode that capped off a frustrating run that was at its best when it embraced the frenetic and jumbled (here’s looking at you, Flux).

We’ve got a year to think about things and sift through rumors, rumors, and more rumors.  With the supposed return of Donna Noble, how could you expect anything less?

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On Galadriel and Celeborn

We’re just a few hours away from the season one finale of The Rings of Power on Amazon Prime.  Much of the conversation over the last couple of months has been about which character is Sauron in disguise.  Not really at the top of my list of things to learn, but it’s always good to end a season with a big reveal.

Episode Seven’s big reveal came in an almost-throwaway line of dialogue between Galadriel and Theo, when Galadriel mentioned that her husband had been lost in battle and had never returned.  This, of course, is Celeborn.  Certain slices of Tolkien fandom went wild with the revelation, since this was the first mention of the character (and because he’s quite significant to the overall picture of the Lord of the Rings).  Celeborn is around, of course, in The Fellowship of Ring.  Here’s the evidence:

Celeborn and Galadriel

It’s an interesting conundrum, one that I hope the show-runners handle well.  There’s always room for creative license.  But you also have to careful of what names you drop and how you drop them.  You can find some reflections on the series, Galadriel, and Celeborn here.

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Which brings me to my reading of Unfinished Tales.  It’s been a slow read for me, mostly because I’m not in a hurry.  Just yesterday I finished the tale of Aldarion and Erendis.  A beautiful tale, even if it was left “unfinished.”  It’s a tale of the Second Age set in Numenor, so there are some ties to the broader Tolkien story.  As with every other piece in the collection, there are footnotes and endnotes and a weaving together of various scraps and scripts that show us how Tolkien often rearranged and rewrote his stories.

Aldarion’s story is followed by a list of the line of kings of Numenor, which reads like a version of the Old Testament book of Kings (at least the last paragraph that sums up each king’s reign).  Now I’m in the long section on “The History of Galadriel and Celeborn.”  And it’s pretty interesting.  Tolkien had her story going in various directions as he was putting his Tale together.  Celeborn is in the writing some, but not much.  So even though Amazon doesn’t have the rights to Unfinished Tales, I am curious to see if this section of the book could shed some light on things for me.

It’s easy to see The Hobbit primarily as the story of Bilbo Baggins, especially since Gandalf disappears for a large chunk of the narrative.  But The Lord of the Rings is a story with so many primary characters, especially when seen in light of the broader Tolkien narrative.  It’s about Frodo, but it’s also so much about Sam.  And it’s about Gandalf and his long burden and about Strider and his coming to kingship.  And it’s also, in some way, about Galadriel, who is given the test and who passes it.  I do hope that whatever else The Rings of Power may be (and whatever stories the show does and doesn’t tell), it ends with a real sense of this particular time in the long life of Galadriel.  That would be a real gift.

(image from nerdiest.com)

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“For Tomorrow”

I’ve been thinking about this post by Seth Godin for a good while now.  I’m guessing that Godin is thinking about the topic of how we respond to organizations on a scale larger than the simply-personal.  But ultimately, organizations are people.  And like it or not, everything is personal (in some way or another).  Organizations can’t learn lessons unless the people in them do.  And too often, there are no viable feedback loops for those who most need to learn something.  Godin writes:

Perhaps it makes sense to embrace, “now that I know what I know now, I can make a new decision based on new information and do this instead.”

“Now that I know what I know now” is a great idea.  I mentioned something similar to this back in this post from January.  In that instance, it was more about self-knowledge, but even self-knowledge is connected to organizations.  That’s especially true if this assertion by Godin holds up:

We often become what we do, as opposed to simply doing what we say we would when under duress.

It is possible, I believe, to do and become something good, but the first step taken is important and every step after that should be as much in the right direction as possible. And most people leading most organizations are probably too busy making sure the boat doesn’t sink to care about steps in even a slightly wrong direction.

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Between Vigilance and Vengeance

Galadriel in the LightWe’re two episodes away from the end of the first season of The Rings of Power on Amazon Prime.  It’s been a fun 6 episodes so far, putting to the screen characters and locations that have mostly only resided in text and pictures.  The show has not been without its critics.  (Let me say that I am so glad that the Peter Jackson trilogy came out before Twitter was a thing.). That’s been true of every other adaptation of Tolkien’s work, so it’s nothing new.  As I might have mentioned before, it’s just nice being able to step into Tolkien’s world in a way like this.  It’s not something that happens often.  And it’s fun to see the show’s creators find interesting ways to pace things and slow-burn certain mysteries.  (I’m glad we’ve had a couple of episodes without the Harfoots.)  It’s also be interesting to see how the show-runners have brought in echoes (or almost direct quotes) from the Tolkien story and media (like the Harfoot song “This Wandering Day” or Bronwyn’s use of a Samwise Gamgee quote).

I think the thing that stands out to me this far into the story is the balance of the promise of the trailers with the realities of each episode.  And it mostly centers on Galadriel, since she’s the show’s true lead and the most significant thread tying things into Lord of the Rings.  The trailers (and the first episode) brought out a strong sense of the important of vigilance.  Is Sauron back or not?  Either way, what do we do about it?  Vigilance is a good word for everyone.  But for Galadriel, the other side of vigilance’s coin is vengeance.  She really wants to get back at Sauron for what has happened to her loved ones.  Which is understandable and likely sells more than the slow work of vigilance.  I hope that vigilance comes back to the foreground as the season comes to an end.  This first season has had the benefit/curse of evil being “unseen” (thus little action from the elves). But based on this last episode, evil is about to be more fully seen, which requires a vigilance all its own.

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I’m still slowly rereading Tolkien’s Unfinished Tales (and mostly out of order).  Yesterday I finished the the story of Turin from the First Age.  And it’s all about vengeance (or at least it felt like it).  I think maybe the strength of both The Hobbit and Lord of the Rings is that vengeance isn’t very present as a motivation.  Maybe that’s why Galadriel both “takes and passes” the test when the Ring is presented to her.  Almost everyone else is focusing on vigilance or on prevention or protection.  As others have said before, maybe this is the arc of Galadriel’s journey in the series.  If so, it will be a good arc to witness.

(image from imdb.com)

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Happy Birthday, Bilbo

It’s that time of year again, when Bilbo Baggins’s birthday comes back around.  It’s always worth revisiting this clip from The Fellowship of the Ring:

In line with this Tolkien moment, we’re halfway through the first season of The Rings of Power, Amazon’s attempt to tell the stories of the second age in a condensed but thoughtful form.  I’m really enjoying the series.  I think any chance to dip your toes into the river Anuin (or Sirion, for that matter) is a good thing, even if some things are a little different.  I’m glad that some of the all-new characters have their own concentrated storylines.  And it helps that the production values are so high.  I found the final moments of episode four to be quite moving, which I wasn’t really expecting.  I’m curious to see how the rest of the season goes (and how it sets up season two).

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One More for Rich

Yesterday I posted a link to a recent piece about the 25th anniversary of the death of Rich Mullins.  The folks over at First Things also posted an article.  The piece, written by Bethel McGrew, also includes links to multiple songs.  I was glad for one in particular:

Such a time capsule!  We just don’t sing like that anymore, which is unfortunate.  I’m glad that such things can be found online somewhere.

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25 Years after Rich

Today marks the 25th anniversary of the death of Rich Mullins.  To mark the occasion, a number of artists got together to record a variety of his songs for the Bellsburg album.  The Kickstarter project also gave backers access to deeper cuts by other artists as well as access to a number of other unreleased, concert songs (that have mostly aged well).  It feels like a good way to mark the time.

Over at Plough, Beth McGrew posted a nice piece about Rich with lots of good links to songs and other materials.  It’s a good piece: fair and honest.  Rich’s was a personality that could easily rub someone the wrong way.  He was brutally honest in his songwriting in a way that few others were (or have been since).  There’s a deep longing in his writing that more polished musicians haven’t really been able to achieve.  (The closest is likely Andrew Peterson, who records the opening song on Bellsburg).  See “Cry the Name” and “Hard to Get.”  But there was also deep joy and beautiful instrumentation: there’s so much good piano music in his concert footage.

I have often wondered what things would be like musically if Rich was still around.  Contemporary Christian music has changed a great deal in the last twenty-five years.  American Christianity has changed a lot, too.  Rich’s legacy is like a time-capsule that you keep getting to open up, a thing to visit frequently, not to feel good about yourself or to mourn a by-gone era, but to be challenged in a way that feels more and more rare these days.

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On Tour with Tuor

There was a time where I thought this summer would be the time to reread the Lord of the Rings.  I even  packed my bags in preparation for it.  But to read LOTR is no small task, not something to walk into half-heartedly.  So I read “Leaf by Niggle” to get me in the right frame of mind . . . and then it didn’t happen.  So I put the books in the box of goodies that I shipped back to Honolulu to keep the load light. And then I read books that I bought tied to my time at Laity Lodge instead.

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Unfinished TalesOne of the questions posed early on at the Lodge a few weeks ago was the question of what authors we turn to for comfort (because these last few years have brought great need for comfort).  I told the couple I sat near that I would often turn to Tolkien and Lewis and Chesterton.  And it doesn’t matter much what I read from them as long as it is from them.  Granted, the shorter the better has been the case of late. I had just reread a number of shorter Lewis pieces collected in Present Concerns.  But I did want to read some Tolkien.  So I went back to Unfinished Tales.  I had read the entries tied into The Hobbit and LOTR a few weeks before but had, at that time, decided to stay away from the longer pieces from “the first age” that take up most of the book.  I’ve read the Silmarillion before and enjoyed it, but it is also a bit of a commitment.  And I’m a little leery of reading “First Age” and “Second Age” content with Amazon’s Rings of Power coming in September.  But I jumped into the story of Tuor and his journey to Gondolin anyway.  I’m so glad that I did.

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Unfinished Tales is a collection of pieces edited by Christopher Tolkien that are “elaborations ‘of matters told more briefly, or at least referred to elsewhere.”  Christopher Tolkien wove things together based on manuscripts and fragments and notes.  It is amazing to me how much of Tolkien’s voice shines through even in drafts and fragments.  There is joy and sadness and wonder in almost every little narrative piece. Tuor’s tale, which clocks in at about 30 pages, features a kind of depth you would expect from stories that are chronologically later.  Here Tuor shows up fully realized in a fully realized world.  A favorite text:

In this way, Tuor passed into the borders of Nevrast, where once Turgon had dwelt; and at last unawares (for the cliff-tops at the margin of the land were higher than the slopes behind) he came suddenly to the black brink of Middle-earth, and saw the Great Sea, Belegar the Shoreless.  And at that hour the sun went down beyond the rim of the world, as a mighty fire; and Tuor stood alone upon the cliff with outspread arms, and a great yearning filled his heart.  It is said that he was the first of Men to reach the Great Sea, and that none, save the Elder, have ever felt more deeply the longing that it brings. (25)

And that’s just around the 1/3 mark of the tale of Tuor’s coming to Gondolin.  And yes, it’s difficult to hold all of the names of people and places in your head.  And yes, it’s great to turn to the end notes that C. Tolkien added that point to connections (or contradictions) with the bigger story.  And there’s no real hurry to finish things because each piece of the book stands on its own.  It’s nice just savoring the wonder of each good moment.

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So now I’m onto the story of Turin, also set in the First Age.  And it’s good.  Hopeful and tragic at the same time, and not only because you know the “long story” but also because Tolkien renders each character so well while saying so little.

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