Chesterton Gladly

ChestertonToday marked the birthday of one of my favorite authors, G. K. Chesterton.  To mark the occasion, a number of fans on Twitter shared how they were introduced to the early-20th century author.  For many it was their involvement with the Roman Catholic church.  For other, it was the writings of C. S. Lewis or some other apologist.  For me, it was the autobiographical writings of Frederick Buechner.  His first autobiographical book, The Sacred Journey, introduced the character of Sunday as found in The Man Who Was Thursday, which was the first full Chesterton book that I read in college.  From there it was to Orthodoxy and then to some of his other writings.  This past Christmas I joyfully ordered a copy of The Spirit of Christmas, a collection of essays, stories, and poems about the Christmas season.  I look forward to reading it during the Advent and Christmas seasons for many years to come.

I’m always amazed by how prescient Chesterton’s work has proven to be.  Much like Lewis (who came after him), Chesterton was able to see “down the road” in ways that are striking in their accuracy.  This is really apparent in What’s Wrong With the World, which is exactly what it sounds like.  From the chapter “The Fear of the Past”:

The modern mind is forced towards the future by a certain sense of fatigue, not unmixed with terror, with which it regards the past. It is propelled towards the coming time; it is, in the exact words of the popular phrase, knocked into the middle of next week. And the goad which drives it on thus eagerly is not an affectation for futurity Futurity does not exist, because it is still future. Rather it is a fear of the past; a fear not merely of the evil in the past, but of the good in the past also. The brain breaks down under the unbearable virtue of mankind. There have been so many flaming faiths that we cannot hold; so many harsh heroisms that we cannot imitate; so many great efforts of monumental building or of military glory which seem to us at once sublime and pathetic. The future is a refuge from the fierce competition of our forefathers. The older generation, not the younger, is knocking at our door. It is agreeable to escape, as Henley said, into the Street of By-and-Bye, where stands the Hostelry of Never. It is pleasant to play with children, especially unborn children. The future is a blank wall on which every man can write his own name as large as he likes; the past I find already covered with illegible scribbles, such as Plato, Isaiah, Shakespeare, Michael Angelo, Napoleon. I can make the future as narrow as myself; the past is obliged to be as broad and turbulent as humanity. And the upshot of this modern attitude is really this: that men invent new ideals because they dare not attempt old ideals. They look forward with enthusiasm, because they are afraid to look back.

And that’s just one moment that from a century ago that has odd and sobering echoes for our life together today.

So happy birthday, GKC!  Thanks for leaving behind a collection of writings that it could take a lifetime to read and process!

(image from biography.com)

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Sunday’s Best: Scrubbing Shakespeare

Perhaps Lady Macbeth has nothing on Paige Fox?  This week’s FoxTrot by Bill Amend.

Shakespearean Scrub(image from gocomics.com)

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Parks and Real Affection

Parks and Rec CastA few weeks ago I asked my students a round of questions about marriage and friendship.  As is often the case with seniors, the answers were interesting.  A couple of kids, quite out of the blue, decided to answer my questions with references to Parks and Recreation, one of the last great sitcoms.  The students pointed out the way that characters like Leslie Knope and Ben Wyatt and even Ron Swanson were able to embrace both romantic love and real friendship in ways rarely seen.

Parks and Rec is a show that I revisit often.  I just finished rewatching the show’s seventh and final season.  One of the cornerstones of the season (and ultimately of the show) is the friendship between Leslie and Ron, which starts off the season in a horribly sad place but resolves itself in a touching way.  Which is what makes this scene, which takes Ron’s character years into the future, such a great one.

I have great affection for NBC’s last great comedy block: The Office, Parks and Rec, 30 Rock, and Community.  All of them became shows about friendship and love (as all good stories are, really).  But somewhere along the way, Parks and Recreation was able to take a leap that the others either couldn’t or wouldn’t: a leap into a world of real affection between the characters.  And so while I’ll always love a good Jeff Winger speech and the odd relationships at Dunder Mifflin and the passive-aggressiveness of Liz Lemon’s love of everyone around her, it’s really the characters of Parks and Rec that embody a good and better hope.  One where people are known and loved, where fights can happen and feelings can find healing, where you do get a real sense of the significance of this oft-quoted-on-Twitter CS Lewis quote:

Friendship is the greatest of worldly goods. Certainly to me it is the chief happiness of life. If I had to give a piece of advice to a young man about a place to live, I think I should say, ‘sacrifice almost everything to live where you can be near your friends.

You get a sense of that throughout the show’s final two seasons, first when Ann and Chris leave and then when almost every other main cast member considers moving on.  Who knew Pawnee, Indiana would be such an amazing place?

I’m grateful for lots of things.  Family, good work, and friends.  And I’m grateful for the ways that they often intersect and overlap.  Just thought I’d get that down as the week comes to an end.

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It’s Not Easy Being a Star Wars Story

Solo-Han-and-ChewieLast night I caught a last-minute early showing of Solo: A Star Wars Story.  I had kind of talked myself out of any early showing.  Buzz around the movie had been mediocre at best.  There had been some drama behind the scenes, which is always a warning sign (even if you bring in Ron Howard to fix it).  But then, as the school year’s end came closer, I thought I’d see if there were any early tickets available.  There were, and so I went.

Being a Star Wars story can’t be easy.  There has to be a perfect balance of gravitas and humor.  There can’t be too much obvious fan service.  You want interconnectedness without a sense of co-dependency.  And it’s kind of jarring to see new actors portray younger versions of classic characters.  Beyond that, it seems that The Last Jedi casts a long shadow, one that might not lift until Episode IX moves things towards some kind of conclusion.

Keeping all that in mind, I have to admit that I found Solo to be an enjoyable movie.  The acting is solid.  The fan service feels limited.  The movie does a great job of keeping fan service to a minimum (even while giving the audience a couple of really good, twisty moments).  The first chunk of the movie might feel a little choppy, but I understand the need to give background while moving the story forward.  It’s nowhere near as unwieldy as The Last Jedi, and I say that as someone who usually enjoys a decent amount of sprawl in an epic movie.  If anything, my biggest complaint with the movie is that it was so dang dark: not much sunlight in the movie, which gives it a dank, unnecessarily claustrophobic feel at times.  Maybe they were covering up cheap effects or something; I don’t know.  So when you do finally get a clear shot after a number of murky scenes, you definitely appreciate it.

For me, as a fan of the overall narrative but not the stories that go beyond the movies, I find that the “anthology” movies released so far have accomplished their task admirably: the shine a spotlight on particular moments hinted at in the main story while adding some real texture to things.  It’s a kind of reverse-world-building that I quite enjoy.  Along with that, it’s a great opportunity to present some fun visual effects and vistas that we haven’t seen elsewhere (like the train heist in this movie: great visual set-up).

I’ll be curious to see whether or not the movie “has legs,” if it will stick around for a while.  It’s unfortunate that the buzz hasn’t been better.  While I wouldn’t want this to be the beginning of a new trilogy, it would be interesting to see these particular actors reprise their roles in later anthology stories.

(image from lrmonline.com)

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The Bluths Meet the Skywalkers?

How have I missed this for three weeks?  It’s a brilliant cut and narration by Ron Howard, who brings together two of the best “family” franchises in a great way.

I’ll be back later tonight for a quick review of Solo: A Star Wars Story, which I’ll be catching an early show of later today.

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Final Exam Equivocations

Today was a classroom wrap for me.  The tests have been graded, paperwork turned in, and final questions asked.  Now it’s a matter of one more chapel and beginning the planning for next year.  But there are still tests and grading for many.  Which brings this recent Sunday FoxTrot to mind.  Ah, equivocation.

FoxTrot Finals(image from gocomics.com)

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Every Breaking Wave Again

I’ve been holding onto this one for a while, if only because I keep planning on doing a “best of Songs of Innocence and Experience” list.  This is one of my favorites, for sure.

You kind of get the sense that U2 is in a place of transition philosophically.  This song, though, still captures something of the band that has at least hints of the timeless.

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A Turn of the Calendar Page

turning the pageYesterday marked the end of the Easter season.  A week and a half after marking the ascension of Jesus, the church celebrates the day of Pentecost, a commemoration of the birth of the church through the presence of the Holy Spirit.  At the church service I attended last night, the sanctuary was accented with red and leis were exchanged during the passing of the peace.  It was a nice way to mark the end of a particular part of the church’s liturgical calendar.

While I’ve taken part in bits and pieces of the liturgical calendar throughout the last few years, this is my second and attempting to be present for a majority of services from Advent to Pentecost.  I’ve started to the see church’s liturgical calendar as something to help my devotional practices for the rest of my life.  It provides a good and (many would argue) necessary rhythm to the year that transcends the other holidays that mark our cultural calendars.

And so now we enter what has been dubbed “ordinary time.”  In Ancient-Future Time, Robert E. Webber points out that this name is intended as a contrast to the six months of the calendar of “extraordinary time” that crescendoes with Christmas and Easter.  Which isn’t to say that nothing special will happen in the church for the next six months.  Webber sees this part of the liturgical calendar as a real reminder of why Christians worship on Sunday.

Sunday worship expresses Christian truth through remembrance of the God who acts . . . Sunday worship, every Sunday, is a celebration of God’s story.  And the constant bathing of our worship in this story– songs, preaching, baptism, Eucharist, and the Christian-year celebrations– form and shape our conscious and unconscious living in this theater of God’s glory!

From Webber’s perspective, this “ordinary time” is an opportunity to remember God’s saving action in history, experience God’s renewing presence, and anticipate the consummation of God’s redeeming work in the New Heavens and Earth.  Webber concludes:

Here the church calls to mind the teaching of the church and the practices of the Christian life as recorded in the New Testament writings.

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I am sad, really, to see this part of the year come to an end.  There’s something about the intentionality of the time that is both challenging and refreshing.  There’s a real sense that time and timing matter, that church members are on the same page by more than just whim.  But ordinary time is also an opportunity to put into practice what you have learned, almost like an echo of time on the mountain top as opposed to time in the valley.     I’ve definitely felt and learned a lot this time around the calendar of extraordinary time.  And I greatly look forward to entering it again in December.

(image from arrowelectronicsfitness.com)

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“Goodbye Forever; See You Tonight”

So my friends and I are a chunk of the way through the “remixed” season four of Arrested Development.  “Fateful Consequences” is a re-edited version of the season that saw most of the key actors making individual episodes, which didn’t work all that well for such an ensemble-fueled show.  And now, just before the fifth season drops on Netflix, the “remixed” version is here to remind us of what made the show great in the first place.

Here’s the “trailer” for the upcoming season, which seems to have a couple of interestingly absurd plot threads to draw us in.

Break out the fruit juice, I suppose!

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Season’s Endings

The spring season of television is coming to an end.  You can always tell because of the big Survivor finale, which is next Wednesday.  Tonight Marvel’s Agents of SHIELD came to a fifth season conclusion titled “The End” (just in case the show didn’t get a last-minute renewal).  And it was a wild ride that ended with a tear-jerker moment.  While the show hasn’t always delivered the “big moments” that fans have come to expect from the Marvel Cinematic Universe, it has been a consistent effort with a great cast that has found themselves in a multitude of amazing situations over five seasons.  Which is part of what made tonight’s episode so sad to watch.

The only other show that needs a season’s wrapping at this point is The Flash.  It’s fourth season will come to an end on Tuesday.  The show has done a great job of staying away from Speed Force villains, which has been nice.  And while the last couple of episodes have felt a little like treading water, the season has had a mostly-engaging through-line with some nice twists.  Here’s the trailer for that season finale.

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