Back to Class

GileadWhen it became clear that I probably wouldn’t be traveling to Tennessee this summer, I decide to look for good ways to frame my time.  Vacations are always a little tricky for me: I tend to do best when I’ve got purpose and structure (which travel often provides).   Thanks for social media, I got wind of an alumni-audit class at Union University taught by my Pastoral Epistles professor from back in the day.  The course? Portraits of Pastoral Ministry in Modern Novels.  Right up my alley on a couple of different levels.  And coming off of about three years of balancing teaching with chapel/camp stuff, I thought it might be a nice way of recharging . . . and revisiting a kind of Christian intellectual culture that has really formed me all those years ago.

So this weekend I (re)read Marilynne Robinson’s Gilead.  I tried reading it soon after it’s release but couldn’t get past the first few pages because it felt b-o-r-i-n-g.  I tried to read it again a few years later and found it to be one of the most beautiful books I had ever read.  It’s the first book on the syllabus, so I knew I could give it a little less time.  But even I was surprised to find myself able to finish it in just over two days.

As excited as I am about the chance to read some novels, three of which I had never cracked open before, I think I’m more excited about the opportunity to do some writing.  We’ve got five papers to write: one for each novel and one as a summary of things learned over the course.  There are also about four short responses to write, too.  So I’m kind of hoping to weave in some things that I’ve been thinking about over the last few years to see if any connections exist.

I spent a decent chunk of this afternoon watching the video lectures that go along with the online course.  It’s a nice turning of the tables for me, as I spent the last quarter trying to teach online.  I imagine all of the joys and frustrations of the quarter will be transferable.  And if we have to go online again sometime, I’ll have a better sense of what it’s like on the student end.  There was good comfort in lectures presented by a professor from my past.  And there was good comfort to see that we hold some key beliefs in common about the pastoral ministry, both from the roots in the biblical text but also in some of the practical implications for life today.

I’m going to try and spend some time each week here writing out some things that I’ve been meaning to articulate for a while now.  And I also hope to share some things that I’m learning in the here-and-now.  It should be a nice change of pace after a couple of weeks’ worth of television and comic strip posts.  (That’s where I go when the days are packed and I just can’t focus much).  I’ll also share some pertinent quotes from the books we are reading.

So it’s back to class for me, at least for a little bit each day for the rest of my summer.  I’m looking forward to learning.

Also, after many months, I finally finished Antifragile by Nassim Nicholas Taleb.  More on that some other time.

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Summer Saturday

Today was the first day to try for a more normal Saturday without school and with (hopefully) a restaurant or coffee shop to use for “landing.”  Yesterday I met a friend at Ala Moana Center in hopes that we would be able to sit and eat, but the common seating areas still aren’t open.  But I was able to walk into Barnes and Noble for the first time in two months, which was great.  But, alas, my regular breakfast place wasn’t open for seating either.  Turns out that lots of places still aren’t opening up just yet, which is understandable.

So today I thought I’d give it another try.  Found a great place for breakfast: Liliha Bakery.  It was my first full meal out in two months, and it was great.  It was nice to sit and read and write a bit, too.  Then I ran some errands before making my way home for the rest of the warm and slightly wet afternoon and evening.

The next few days will be interesting as I try to get some bearings for post-semester life.  I’m hoping a few more downtown spots will be open next week.  The big one will be Zippy’s, which is holding off just a little bit longer before opening up tables.  I’ve got some reading and writing to do over the next few days (that I’ll write more about soon), so having some travel-around-town options would be nice.  Tomorrow is back to church for the first time in two months.  We’re running two socially-distanced services.  It will be interesting.

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Sometimes by Step

A classic song for the end of a good but tiring school year.

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Endings, Beginnings, and Endings

Community Final HugToday was one of those days, usual for late May but particularly potent this year, where the endings and beginnings of things kind of roll into one.  Part of it for me is because I end classes with seniors earlier than many teachers, which means I start thinking about next year earlier than most.  So today was spent on campus putting something together that can serve as a kind of bridge between this school year and the next.

Today was the last day for students to have any major first-round exams.  Monday starts a round of meetings for big-picture wrap-up and then planning.  Lots of different kinds of balls in the air.  I am hopeful for what’s next even though I know that the fall semester, for all of our efforts to make it “same as it ever was,” will also be radically different.  And, like most, we will have an interesting time maneuvering expectations and reality.  So even with new beginnings we’ll be mourning some losses.

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Today I finished my rewatch of Community.  What a great show!  It was my first time making it through the “gas leak year” since it aired.  And while it was far from perfect, it did have a few shining moments.  Today was for the final episode of season six, the episode where each character tells the story of what their “season seven” would look like.  It’s odd, the show was on the edge of cancellation for most of its run, I think, so every finale had an extra dose of “finality” built in.  The last time I watched the episode, I shared the video clip of the last conversation with Jeff and Annie in the study room.  This time I was more struck by the closing scene at the airport.  Even though there’s a kind of forced infantile nature for Jeff, he had real moments of realization and letting go.  That scene, particularly as he says goodbye to the two youngest remaining members of the group, is somber and hopeful.  A great episode to end a great series.  And then there’s always talk of a movie someday . . .

(image from collider.com)

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Promising Forward

A few weeks ago Andy Crouch and the folks at Praxis wrote about the importance of promises moving forward from Our Current Moment.  I wrote about it here.  Alan Jacobs recently picked up on the same thread for a piece over at The Hedgehog Review.  The title says a lot: “Against Projects; For Promise.”  Jacobs has been concerned for some time about our obsession with projection when so much of the future is uncertain.  He reflects on the thoughts of Wendell Berry and writes:

Our moment is dominated by such Projectors. In my own field of higher education, I find every morning in my RSS reader essays, articles, and blog posts appearing prophesying the dismantling of universities—this is sometimes called “unbundling,” as though a university is a cable TV service—or at the very least the elimination of academic departments, indeed whole fields of inquiry, that don’t rake in sufficient cash . . .

Such projection is easy and cost-free: No one will remember if you’re wrong, and whenever you turn out to be right you can crow about it on Twitter. This is why Berry says of the language of Projection, “It is not language that the user will very likely be required to stand by or to act on, for it does not define any personal ground for standing or acting. Its only practical utility is to support with ‘expert opinion’ a vast, impersonal technological action already begun.”

To the cheap talk of the Projectors Berry contrasts the more solemn and more responsible language of Promise: “The ‘projecting’ of ‘futurologists’ uses the future as the safest possible context for whatever is desired; it binds one only to selfish interest. But making a promise binds one to someone else’s future.” To make a promise is to utter words that you pledge to stand by.

There is much to be said for promise-making and promise-keeping, something that we have largely left unarticulated in our “terms of agreement” culture where we sign off on things in a moment so we can get on with things.  Beyond that, the language of promise is mostly regulated to marriage, where a whole ceremony solemnizes deep promises.  The language of promise is present in other religious contexts, but I’d argue that often they get washed out by all of the technicalities and practicalities of “running a church.”  Jacobs concludes:

Here’s my suggestion for, my plea to, our habitual Projectors: For every projection you make—I know it would be fruitless to ask you to forswear the projective temptation altogether—make a promise. Tell us not just what will happen but what you plan to do to bring about a better world, or a better university, or just a better neighborhood. Utter some words you will need to stand by . . .

Definitely something to think about moving forward.  It’s something smaller and denser, more personal and more powerful, I think.  And it’s not part of our language, which means it can be something both ancient and fresh for us.

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Ten Years Moved On

Today marks the tenth anniversary of the series finale of LOST.  It’s been a few years since I watched the show the whole way through, but I drop in to particular episodes or moments from time to time.  In honor of the day, the folks at The Ringer put together a list of things to learn from the finale, which has been quite the controversial episode since it aired (my own viewing group was definitely mixed on how the show ended).  It’s still one of my favorite endings to a series.  My favorite scene no longer has a clear clip to show (It’s the one where Desmond tells Jack that what happens in one world doesn’t really matter because there’s another, better world.  Jack retorts: everything matters, there are no do-overs.)  But here’s a clip with two of the central figures, Jack and Locke, in the flash sideways after Jack performs surgery on Locke.

If nothing else, the finale does a masterful job of working flashbacks into the story, something that often feels contrived in other shows that have tried.

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“You’re Catching It”

I’m one of many looking forward to the day that we can walk back into a movie theater and be entranced by big stories told on large screens.  One movie that could kick things off for the season is Christopher Nolan’s Tenet.  A second trailer was just released.  It’s looks to be visually amazing and narratively challenging in a way that movies can do best.  Here’s that trailer, shared with hope.

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A Song for the Moment

Benjamin Gibbard is one of the many musicians who have taken to a more consistent online presence during Our Current Moment.  Discovering his “at home” show a few weeks ago was one of the highlights of early lockdown, actually (it was the day he was doing songs from around the time of Plans).  Gibbard recently went on Stephen Colbert’s show to play “Life in Quarantine.”  Definitely some good lyrical moments in the song as it attempts to capture what life has been like for may people these days.

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A Time for Tunnels

I haven’t followed Seth Godin much lately for no reason in particular.  I got out of the practice a couple of years ago and just haven’t given it much thought until recently.  And I’m glad I did, because he recently made a distinction that, fittingly, has some real depth.

When things started to shift for everyone back in March, no one was prepared for it (in general, for sure, though this could apply to more specific situations, too).  We did what we could, made adjustments as necessary, but then something else kicked in (or didn’t, depending on your previous work).  An invisible system kicked in, a system based on relationships and trust that aren’t always in the spotlight.  Which ties in some to Godin’s idea of bridges and tunnels:

Robert Moses, the road builder, understood that building tunnels takes just a little longer and costs just a little bit more.

And it turns out that bridges are monuments and create glory for those that find the resources to build them, there in the sky, for all to see.

Those are the two reasons why we end up with more bridges than tunnels. (Same is true with work culture and society at large).

But tunnels allow all sorts of productivity without calling attention to themselves or those that build them. A tunnel creates progress without changing the landscape. Many times, it’s an elegant solution to the problem for someone with the guts and fortitude to build one.

These are tunnel days, where the deep down and unnoticed work has been necessary and helpful.  And while I wouldn’t take the same approach to bridges as Godin does, I understand his point.  There’s a time and place for bridges, but it hasn’t been that way for the last couple of months.  Those days will probably return, though, as life readjusts.  But for now, we would be wise to remember the hard work, the hidden work, that is the network of relationships and community that often aren’t that obvious.

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20/40 Survivor

SurvivorThis was a big week for CBS and Survivor.  The show finished its fortieth cycle over twenty years.  I remember watching season one episodes all those years ago with friends in Fort Worth.  And while I lost interest for a few years in the middle third of things, I’ve enjoyed Wednesdays on the island for the last while.  I’ve even revisited some of my favorite cycles years after the fact (Australian Outback, Pearl Islands, All-Stars, Palau).  And while the show has definitely changed over the years, it still finds a way to entertain and catch you off guard.

The folks at The Ringer have made the most of the week, posting a dozen articles about the show’s history and the events surrounding this week’s fortieth-cycle finale.  You’ve got the “100 Most Iconic Moments” article (so comprehensive), the “tribal council is the cornerstone” article (pulling the curtain back is always interesting), and a dictionary full of Survivor-centric concepts and terms.  The two most enjoyable articles, though, involve an interview with former contestants about some of the nitty-gritty, day-to-day realities of living without toilets and toiletries and a look at what the show could do to continue for another twenty years.

My hope going into an all-winners season, which ended on Wednesday, was that things would be sparse all around.  Instead, we got the Edge of Extinction (only used once before) and fire tokens (a first-time twist).  There’s lots of talk about how gameplay has changed over the years, but just as real has been the change brought about by gimmicks (like constant hidden immunity idols, Redemption Island, and the like).  The “how to continue” article mentioned the importance of casting, of difficult decisions, and balance.  But I like the fourth point the most.  Concerning “show, don’t tell”:

Modern seasons of Survivor don’t have intros. They don’t have tree mail. They don’t have many shots of cooking food, fishing, or camp life in general. Sometimes they don’t even have reward challenges. That’s because the show has less and less time to show us those things, with the proliferation of advantages that need to be explained and idol hunts that need to be aired. But while on the face of it those old-school features seem easy enough to cut, they provide crucial insight into why some players are working with others: Which personalities click, who trusts who—all of that is built and demonstrated during mundane moments. Cutting the little things hurts the big picture.

The obvious solution here: Longer episodes. If that’s not possible—and it seems it isn’t, if Survivor couldn’t convince CBS to up the running time for Winners at War, as Probst has hinted producers wanted—then some sort of solution where additional content is put on CBS All Access could work. If that isn’t possible, then the show needs to think critically about how twists and advantages cut into the meat of Survivor.

The best season ever is Heroes vs. Villains and it featured just one twist, a back-to-back tribal council before the merge. The best season of the past five years is David vs. Goliath, and it was light on twists for a modern season. By contrast, at times Winners at War had to spend so much time on Edge of Extinction and the various advantages that came out of it that it couldn’t always develop the relationships that were shaping the season. That forced the editors to sometimes throw in a player saying that another contestant was “playing a winner’s game” or that they had a great bond with so-and-so—but it wasn’t able to actually show why that was the case.

It’s worth remembering that the times when the show is allowed to breathe are important. They’re not just breaks in the action—they help explain why a season unfolds the way it does.

I had hoped for more conversation between all of these winners.  And you got some of it near the beginning as you learned about how Survivor has become it’s own extended world, especially for older players.  And you got it some in the finale when Jeff interviewed the jury after the final “Edge of Extinction” return challenge.  But there just wasn’t enough time for it, especially after the live reunion got cut because of Our Current Moment.

I will say that I miss “tree mail.”  And I miss “luxury items.”  And I miss “food eating challenges” and “auctions.”  I miss different locations.  (Looking back at the Australian Outback season I was reminded of how much the terrain played a role in things.)  The best thing going for the show the last few seasons has been the unpredictable nature of tribal councils (a blindside almost every week?).  But you feel it differently when you’ve had time to get to know the contestants a little more as people.  And getting to know them as people is more than just hearing a transformation narrative, another trend that echoes what has happened so often in things like the Olympics: an attempt to “humanize” people that often borders on manipulative.

Things are a bit uncertain for now.  Our Current Moment has kept future episodes from being filmed.  Thankfully we’ve got another (long in mothballs) season of The Amazing Race coming up next week.  It will be interesting to see how much cycle 41 of Survivor might be a clean slate, now that so many winner have come back through one more time.  Maybe we’ll get a return to basics after all.

(image from parade.com)

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